Monthly Archives: August 2005

Could be worse… she could have woken up next to Brad!

(From Fur Will Fly. Click on image to see it full-sized.)

Well, we’ve finally gotten to it. After joke strips and a stick-figure strip and several tangents, we finally have Tasha and Selena in bed together. And to be honest, it’s a tad difficult following the story at this point.

I’m going to tangent myself with a bit of advice. Dan Shive of EGS fame created a system (when he went over to Keenspot) where his Newprint Strips, his Story Strips, and his Filler Strips each had their own folder. Perhaps FWF could do something similar… or maybe Brian Daniel could code into the strip some commentary with links leading directly to the next story strip. It would make it easier to follow this story.

You have to feel a bit bad for Selena here. She seems… a bit innocent here, even though she’s apparently had a same-sex relationship in the past (I say same-sex rather than lesbian because of her recent encounters with Kevin, where she seemed… rather involved in the petting going on). Heh… I do feel a touch bad for Natalie though… who’d had a crush on Selena but gave up because Selena just wasn’t interested in her that way.

I wonder now if she was uninterested in Natalie that way… or if she was suppressing that type of interest due to her same-sex encounter in college. We know that Natalie thought Selena was straight, even though she kissed her when Selena was drunk. (Of course, we’ll need more of the story to find out if Selena had only one encounter with her roomy Tasha, or if they ended up a couple for a bit. And Selena admitted to Natalie that she’d been with another girl.)


Perhaps part of Selena’s problem has to do with what happened in college. Maybe she just suffers from terminal shyness. I don’t know. But I do admit I rather like this character. And to be honest, considering Natalie has Roxie as a partner, even if she’s not in love with her… well, I don’t think she and Selena are meant to be together. Especially if Selena is uncomfortable with it. (Fortunately, when she breached the topic with Natalie, they agreed that their friendship was more important. Which was kind of cool.)

I am curious as to what Selena’s problem with Kevin is. Maybe it’s just that they rushed things. I know from personal experience that rushing into sex isn’t a good thing (maybe that’s why I cheered on Dave in recent CRfH comics when he turned down Margaret’s offer of a quick fling in the sack).

No doubt this storyline will wrap up soon and we’ll be going on to something else, be it more of Violet’s biological dad or stuff with Brad and Page, or something else, we’ll have to wait and see. In the meanwhile, tangents aside, I’ve been enjoying this FWF story, and hope it remains on track. (Oh wait, next strip is Friday, and Fridays are NEVER story strips. Well, maybe Monday?)

Robert A. Howard

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8-Bit Theatre

I was directed to 8-Bit Theatre by my friend Steve Anderson (whose movie review you read before this); he felt it was right up my alley with its twisted humor and surreal story. He was right. If you enjoy Order of the Stick, then 8-Bit Theatre will definitely be your cup of tea.

Much like OotS, 8-Bit Theatre makes fun of a genre (in this case fantasy role-playing computer games). It also doesn’t rely on sophisticated art or the like; the characters are rendered in 8-bit format, and their close-ups are extremely pixilated. And the world itself is as idiotic as the worlds found in many early computer games; many townsfolk have very limited speech patterns (ie, you click on a townsperson and if they didn’t have anything to say, they’d just chant out some generic bit of nonsense that doesn’t mean anything).

The comic follows four characters (Thief, Red Mage, Fighter, and Black Mage) through their quest as the Heroes of Light. The truth is, they’re not heroes. Thief is a con artist of the biggest sort, Red Mage… well, you could call him a power-gamer personified and you’d be close to the mark, Fighter is an idiot who keeps channeling stuff from the real world (well, all the characters do from time to time, but Fighter does this to an extreme) and who is hopelessly naive, and Black Mage, a murderous spiteful wizard who wants to kill Fighter (who for some reason thinks Black Mage is his best friend; this isn’t through Black Mage pretending to be his friend, but due to Fighter being a complete and utter idiot (which is part of the reason BM wants to kill him so badly)) and maybe everyone else around him.

There’s also White Mage, who is trying to keep the “Heroes of Light” on course and then heal them when they’re hurt (and those who the “heroes” hurt, sometimes) and Black Belt who was her protector until he… (well, why spoil it?), and Sarda, the manipulator behind it all.

Actually, all of the characters are complete and utter idiots. Some are more obvious about it than others (Fighter being the most obvious one, with Red Mage being the second most obvious idiot), but even the realists of the group tend to be idiots.

Interestingly enough, the one character with the most development would be the most evil of our four, Black Mage. While this character fuels his most powerful destructive spell (Hadoken) through love and tends to be bloodthirsty and power-hungry… there’s a certain charm to him. What’s more, he of all the characters seems to learn (and one of the things he’s learned (and then forgotten) is that maybe the hate, anger, and destruction isn’t worth it. (Tragically, it is Fighter’s inanity that drives that knowledge from Black Mage’s mind, and sends him on another homicidal rampage.)


Perhaps it’s because the growth from evil is more interesting than the growth of good. Look at some of the more popular comic book characters these days, like Venom or Cat Woman. They started out as villains (and in some ways still are). Yet they’re fan favorites. People like them because a villain can be quite complex; in some ways more complex than a hero. That’s part of Black Mage’s charm.

Well, that and the fact he’s head-over-heels in love with White Mage (who detests him) and every time Black Mage opens his mouth he says something stupid to her. I mean, the boy has less charisma than I do, and I’m… well, let’s just say that I’m blunt to a point.

8-Bit Theatre works, in the same way that OotS works, through parody. It can be offensive at times, and in poor taste, and often it goes off on tangents as bad as my own, but it’s fun and reminds me of when I played Ultima V and VI. Okay, it’s more inventive. Definitely more inventive.

That’s a sticky situation Black Mage is in…

(From 8-Bit Theatre. Click on image to see it full-sized.)

I was directed to 8-Bit Theatre by my friend Steve Anderson (whose movie review you read before this); he felt it was right up my alley with its twisted humor and surreal story. He was right. If you enjoy Order of the Stick, then 8-Bit Theatre will definitely be your cup of tea.

Much like OotS, 8-Bit Theatre makes fun of a genre (in this case fantasy role-playing computer games). It also doesn’t rely on sophisticated art or the like; the characters are rendered in 8-bit format, and their close-ups are extremely pixilated. And the world itself is as idiotic as the worlds found in many early computer games; many townsfolk have very limited speech patterns (ie, you click on a townsperson and if they didn’t have anything to say, they’d just chant out some generic bit of nonsense that doesn’t mean anything).

The comic follows four characters (Thief, Red Mage, Fighter, and Black Mage) through their quest as the Heroes of Light. The truth is, they’re not heroes. Thief is a con artist of the biggest sort, Red Mage… well, you could call him a power-gamer personified and you’d be close to the mark, Fighter is an idiot who keeps channeling stuff from the real world (well, all the characters do from time to time, but Fighter does this to an extreme) and who is hopelessly naive, and Black Mage, a murderous spiteful wizard who wants to kill Fighter (who for some reason thinks Black Mage is his best friend; this isn’t through Black Mage pretending to be his friend, but due to Fighter being a complete and utter idiot (which is part of the reason BM wants to kill him so badly)) and maybe everyone else around him.

There’s also White Mage, who is trying to keep the “Heroes of Light” on course and then heal them when they’re hurt (and those who the “heroes” hurt, sometimes) and Black Belt who was her protector until he… (well, why spoil it?), and Sarda, the manipulator behind it all.

Actually, all of the characters are complete and utter idiots. Some are more obvious about it than others (Fighter being the most obvious one, with Red Mage being the second most obvious idiot), but even the realists of the group tend to be idiots.

Interestingly enough, the one character with the most development would be the most evil of our four, Black Mage. While this character fuels his most powerful destructive spell (Hadoken) through love and tends to be bloodthirsty and power-hungry… there’s a certain charm to him. What’s more, he of all the characters seems to learn (and one of the things he’s learned (and then forgotten) is that maybe the hate, anger, and destruction isn’t worth it. (Tragically, it is Fighter’s inanity that drives that knowledge from Black Mage’s mind, and sends him on another homicidal rampage.)


Perhaps it’s because the growth from evil is more interesting than the growth of good. Look at some of the more popular comic book characters these days, like Venom or Cat Woman. They started out as villains (and in some ways still are). Yet they’re fan favorites. People like them because a villain can be quite complex; in some ways more complex than a hero. That’s part of Black Mage’s charm.

Well, that and the fact he’s head-over-heels in love with White Mage (who detests him) and every time Black Mage opens his mouth he says something stupid to her. I mean, the boy has less charisma than I do, and I’m… well, let’s just say that I’m blunt to a point.

8-Bit Theatre works, in the same way that OotS works, through parody. It can be offensive at times, and in poor taste, and often it goes off on tangents as bad as my own, but it’s fun and reminds me of when I played Ultima V and VI. Okay, it’s more inventive. Definitely more inventive.

Robert A. Howard

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Finally Growing a Pair

(From College Roomies from Hell. Click on image to see it full-sized.)

Dave and Margaret go way back. And by way back, I mean a high school crush that she was oblivious to. (That’s not unexpected. Lots of guys have crushes on girls in high school but never tell the girl about it. That’s part of the high school experience.) However, for the longest time Margaret just didn’t seem to love him back. (And yes, I know some people claim Margaret was lying at that point of time to protect him. I just chose that URL specifically because of what was said, not what was felt.)

Naturally, right when Dave is getting over Margaret, she lets loose with the heavy artillery. Hypothetically, what would Dave do if Margaret realized she loved him. And I’ll give him this. He stuck to his guns. If Margaret did indeed love him… after all the heartbreak and deception and breaking of promises, he didn’t just jump back into her arms. Instead, Margaret would have to earn his love.

That’s not to say that he was going to fixate on Blue next. Instead, he decided to take a break on dating, though Blue was offended by his reasons. And ironically, that led to the current predicament Dave is in, and why he was outside Margaret’s bedroom window and saw her crying. And it’s odd. Dave sees Margaret crying and it wipes any vestige of brainwarp out of his head.

Maybe that’s what makes today’s strip so powerful. Margaret complained that Dave was a kid at times; he couldn’t be around her without thinking of sex and stuff. But when Margaret deliberately tries to distract Dave with her body, and keep him from thinking of the fact she’d been crying… he doesn’t react. And while she professes innocence as to what’s wrong, she is busy covering up again. Not because Dave asked her to. It’s because Dave didn’t react like he was supposed to. He didn’t become a babbling fool at the sight of her nudity.


Dave’s grown up some. Yeah, he’s still a kid in some ways. We all are. I don’t care if you’re 20 or 50 or 80, you never truly grow up all the way. But Dave faced down Margaret, with her wielding the most powerful weapon in her arsenal (her sexuality), and he proved greater than it. And she’s upset by that.

If Dave can turn away from her body, if he can look at her and not flinch, not babble incoherently, perhaps he doesn’t love her anymore, and maybe she does have to work to earn his love again. And I doubt she thought she’d actually have to do that; they were just words, things could go back to the way they were before.

Now she knows otherwise. And she’s shielding her body from a man now, instead of the boy that had been Dave.

Well done, Maritza. (By the way, if you’ve had your insulin shots, go here to see her daughter Nadia’s baptism pictures! Ain’t she adorable?)

Robert A. Howard

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For the best quality goods, shop with Seers

(From Dominic Deegan. Click on image to see it full-sized.)

Comic: Dominic Deegan, by Michael Terracciano

Dominic Deegan was one of the first comics I acquired thanks to starting up Tangents, and I immediately fell in love with the wry humor and skilled storytelling. Indeed, it was very early on that I realized that I’d found a comic suited not just for my own tastes, but my roommate’s love of atrocious puns (indeed, some of the better titles of my tangents are thanks to his suggestions).

While I was worried about where the comic would go with the culmination of The Storm of Souls storyline, Michael proved himself adept at not only overpowering his hero, but even pulling a few twists and avoiding the predictions I’d made for the comic’s future.

Indeed, Michael’s storytelling skills have proven apt in keeping the comic interesting and amusing. Further, he’s greatly expanded the comic, going from a 3-panel strip to 4 panels, and later to 8 panels a day (with colored Sundays). Where many cartoonists work within a weekday news strip format, or even a tri-weekly full-page format, Michael does eight panels each day, unless the story calls for something else.

Art – Inking: 4 ribbons
Art – Backgrounds: 2.5 ribbons
Art – Coloring: 3.5 ribbons


I feel like I’m echoing myself here, but as with so many other long-term cartoonists, Michael’s artwork has improved significantly from early works. Then again, if you look at the early works of Charles Schultz, you would be surprised at how different it looks from what he’d drawn in the last decade of his life. And as with so many others, Michael has solidified what works with the comic and created a powerful style all his own.

Indeed, with the eye structure and the extremely distinctive hair style, you can almost always tell a picture drawn by Michael when he draws up a fan art for another cartoonist. At first, I had a problem with this. I must admit I’m used to telling characters apart by their hair, and it’s not as easy to do that with Michael’s characters as it is with other comics I’d read for some time.

However, while some of the hairstyles are similar, if you look at the art for longer than two seconds you can figure things out easily enough. I was discriminating against the art because it wasn’t as easy for me to determine characters as it was with other comics. It wasn’t Michael; it was me.

While the comic started with Dominic and his home, it didn’t stay in that one locale for long. As with any fantasy adventure, Dominic went to different locales, whether to save his brother from monsters or saving a village from cultists. Michael tends to be somewhat minimalist with backgrounds. It’s not that he doesn’t use them; instead, he utilizes them when they’re important. Unfortunately, often he leaves backgrounds as a blank slate, which is why I scored him only 2.5 ribbons on backgrounds.

Fortunately, one of the things Michael hasn’t done is fallen into the cut-and-paste method some cartoonists fall into. This is part of the reason his penciling and inking is as tight and skilled as they are, and why he will continue to improve in time.


For a while, Dominic Deegan was mostly black and white, with an occasional colored strip. Unlike the majority of colored strips, Michael does much of his coloring with colored pencil and maybe colored ink as well. I’m not positive on that. However, it does not appear that Michael uses Photoshop or other traditional coloring tools that are used in comics such as College Roomies or Clan of the Cats.

Michael’s artwork is more than backgrounds or coloring. It must be viewed as a whole. That whole has grown since the first strips. It can grow yet further, with increased use of backgrounds and an integration of that and the already superb inking that Michael has displayed. I include his regular line work in this estimation; though in this case it’ll be a further refining of skills that are already honed to excellence.

Character Development: 4.5 ribbons
Character Chemistry: 4.5 ribbons


I suppose it’s only to be expected that a comic about a seer shows such insight about the characters themselves. The central cast focuses on Dominic himself, his cat Spark, and his love-interest, Luna. There have been stories that focus on other members of the Deegan family and on some of DominicĂ­s comrades, but Dominic himself is the star of the show, with Luna his leading lady. It’s natural that the most development would occur with those two.

Much of the evolution of Dominic’s character is a refinement of his base personality established within the first few weeks of the comic. Dominic is a sarcastic cynic, with an insight (no pun intended) about humanity that is, sadly, reaffirmed on a daily basis. He constantly sees signs of people being stupid, not thinking for themselves, being stuck in repetitive ruts, and so forth. Even when he gives advice, people don’t listen. They just hear what they want to hear.

Despite his gruff exterior, Dominic actually cares for people. This can be shown in his saving Luna’s life when he first meets her, or in how when he later finds Luna destitute, he offers her a place to stay (and indeed gives her his bed to sleep on). It can also be shown in how he worked to save the people of Barthis from an evil cult).

He’s not perfect. And I’m not talking about the cynicism and the like either. He’s paranoid about his oldest brother (who is a most… twisted individual, I’ll admit) and absolutely fears anything dealing with the undead. And while he’s perhaps gotten a small handle on some of those fears, they’re still a part of him and will no doubt flare up again.


Luna herself has grown tremendously since we first met her. Her mother tried to get Luna to kill herself in a plot to get money (the echoes of which can be found in the current storyline). Thanks in no small part to Dominic himself, she’s started to reassert herself as a vital and strong young lady. She’s saved him several times, and she’s grown to love her “grumpy sage” as much as he loves her.

Her growth has been fairly slow, however. This is a good thing, mind you! It makes her a more believable character, for one thing, and has helped strengthen our interest in her. Further, part of her self-loathing comes from her very features; Luna suffers from tuskmouth, which caused her lower canines to grow long enough to protrude from her mouth. And perhaps best of all, Luna isn’t dependant on Dominic. Instead, she has proven quite adept at taking care of herself, for the most part.

Another character who has grown a bit is a secondary character, Gregory Deegan, Dominic’s kid brother. When we first saw Gregory, he was staring up in shock at a Tree Ogre, that featured prominently in a storyline with an Infernomancer (Infernomancers being wizards who sold their souls to demons for quick power. This one the fans have taken to calling “Tim” for lack of a proper name). While he has been remarkably naive, especially concerning his brother, he’s done a bit of growing up.

Indeed, Jacob managed to break Gregory’s belief in him, and later Gregory managed to defeat a cultist attack on the city of Barthis almost single-handed (Dominic gave mental guidance at first). The aftermath of that attack is part of the current storyline. Indeed, while Gregory has done a lot of growing up, he’s still overjoyed to see his father and get help when in over his head.

Jacob has been an interesting character to watch as well. We’ve only had glimpses of him here and there, and he’s been adversary instead of protagonist. Indeed, Dominic hates him, not just because of what Jacob did to Gregory, but because of Dominic’s hatred and fear of the undead. Jacob has shown a single-minded determination concerning his pursuit of necromancy. I’m not sure if he’s grown as a character though, and that’s a bit sad. When compared to the other adversary that has been closest to Jacob in terms of time spent on him (Celesto)… well, there’s no real comparison between the two. Which is why it’s so sad that Jacob ends up escaping (twice now) while Celesto is trapped someplace where it’s doubtful we’ll hear from him again.

There’s a fairly diverse group of other secondary characters, including Dominic’s parents (his mother is an arch-mage and the founder (and teacher at) a magic academy, while his father is a swordsman and bard of renown), Lord Siegfried (Siggy for short), a Royal Knight of Callan (and sometime adversary of Dominic; not that he’s evil or anything, but… well, Siggy has a temper, and seems to get involved in situations that Dominic’s in the middle of), Jayden and Milov, and so forth.


And of course there’s Spark. Spark is an intelligent talking cat (which naturally the Collective loves), but isn’t Dominic’s familiar. Instead, he’s his friend and compatriot. He also has an affinity for alliteration, an overwhelming desire to be fed fish, and a sense of fun that is a nice counter to Dominic’s dour demeanor. While he’s not grown tremendously… well, he’s a cat, and cats grow when they feel like it. And I’ll just ignore the glares from the Kitten Collective…

There’ve been several relationships seen in the comic. The biggie is naturally that of Dominic and Luna. Dominic soon found himself attracted to Luna when talking magic theory with her. Luna herself… well, I’m not sure when she started viewing Dominic as a love interest. At the beginning, she no doubt thought of him as her savior and a friend… but it grew fairly quickly from there.

However, things plateau soon after. While Luna and Dominic started sharing a bed fairly quickly, she’s not had sex with Dominic, out of fear that if she does, she’ll end up losing Dominic.

The romantic in me suspects that Dominic and Luna will probably get married in the somewhat near future, and that’s when they’ll consummate their relationship. However, I don’t see Dominic and Luna not having sex being because Michael is afraid that if the sexual tension ends, the comic will end (aka, the Moonlighting Excuse for characters not getting any). Instead, I suspect that Michael came up with Luna’s back-story fairly early on, and has only now gotten to this point of the story.


Another relationship that has grown has been between Gregory and the nurse Pamela, who is a priestess of the Luanian Church (which I suspect, from what little I’ve seen, specializes in healing). Theirs has been a more physical relationship, and indeed they almost consummated their relationship when Dominic psychically warned Gregory of an impending attack by cultists. There’s no sign if they’ve continued their… anatomy lessons in the aftermath of Gregory saving the people of Barthis (if not the buildings).

Other existing relationships have existed in the comic, such as between the priestess Jayden and the Spiritwolf (spell-using werewolf) Milov, or between Dominic’s parents, but not much has been seen in either case. Instead, they’ve been background for these characters. Indeed, their relationships are a pairing of more than just souls and bodies, but also partnerships, suggesting perhaps what is in the future for Dominic and Luna.

Story Continuity: 5 ribbons
Story Type: Storyline and Epic
Story Style: Fantasy, Drama

When you look at the first strips of Dominic Deegan, you don’t see much in the way of epic roots. In that, it resembles more of College Roomies than Clan of the Cats (two of the epic strips I consider among the best of the epic comics I read). Instead, it started out with some jokes and then seemed to grow from there.

Indeed, it was the introduction of Luna that helped center the comic, and helped it become the masterpiece it is today. Fortunately, the storyline introducing Luna was just over three weeks into the comic’s start. I’m unsure if this was planned and the old strips were intended to introduce the character, or if it were intended originally to be a gag-a-day strip and early on Michael decided to expand upon the concept.


Still, Dominic Deegan is no stranger to epic stories. Chapters 4, 5, 7, and 9 have all been increasingly epic in scale. Further, the comic has focused on itself. Many other comics have used crossovers and the like to grow in popularity and to spawn new storylines. Dominic Deegan has remained alone (with the exception of Brok), with nary a crossover. (Indeed, I don’t know what comic had Brok originally in it, and it doesn’t matter; Brok was a mercenary working for the Infernomancer; hired muscle, as it were, and thus unimportant.)

This has also eliminated any real problems with continuity. I cannot recall any continuity problems at all; indeed, the biggest question to date had been concerning why Luna wasn’t given compensation for the death of her mother, and even that has been answered.

That says something that, even with rereading the comic I’m unable to find continuity flaws. There may be some lurking in there that I just didn’t catch, but I can’t think of any (and we’re even in mid-story). Dominic Deegan is tightly written and with interwoven plot points that is beautiful and admirable. Thus I have actually given a comic 5 ribbons for Continuity; a first for me.

Rating: PG-13 (Looks like the kittens have had their attention dragged away from those yarn balls! Must be Spark; they love intelligent cats in comics…)

Dominic Deegan gets a PG-13 rating from me. It would be just PG, but there are some disturbing scenes, such as the Infernomancer seen without his blindfold on (with bleeding wounds for his eyes), or people chopped up and then eaten. There’s no nudity (well, naked werewolves maybe but hey, they’re furry!), and the violence is not commonplace.

There may be some cursing as well, but I don’t remember any off-hand. Still, this doesn’t mean parents should just let their kids read this comic. Definitely check it out ahead of time and determine if it’s objectionable or not. And hey, maybe you’ll grow to like the comic as well. (Yes, I have ulterior motives in suggesting parents check out these web comics… devious, ain’t I!)

Punctuality: Seven days a week, color Sundays.

For a while the comic originally updated six days a week, and then two and a half years switched to a daily format. Dominic Deegan will occasionally miss a day (usually due to Michael going to a convention or the like), and will also take an occasional week off (with fan art posted, more often than not), but otherwise has a good update schedule.

Overall: 4 ribbons


Dominic Deegan has a nice mixture of storytelling and humor going for it that hasn’t changed even after several epic storylines (including the last one, in which Dominic literally saved the world). In fact, Michael has a gift few cartoonists have mastered in mixing humor and drama together. It doesn’t always work. But even when it’s not at its best, it’s enough to bring a smile to my face. It’s something other cartoonists could learn from.

That’s not to say that everything is happy and good in the world of Dominic Deegan. One thing I dislike is the Archive Page, which is split up into story chapters. This wouldn’t be so bad if the chapters didn’t keep growing in length; the first chapter was 18 pages long, the second 51 pages, and it keeps growing from there. If Michael sub-divided chapters into sections, that would be more useful. As it is, it’s difficult tracking the events (indeed, part of why this review took so long to write was my having to page through weeks of comics trying to find just the right section).

Still, Dominic Deegan has avoided some of the problems inherent in epic storytelling; the tendency to make one’s hero or heroine more and more powerful to deal with these problems. (Indeed, it’s a problem I see happening in the current Dracula storyline of Clan of the Cats; then again, Chelsea’s long had a control problem. She’s got power, she just needs to refine her ability in using said power.)


Dominic is fairly normal, all things considered. In fact, he’s no uber-hero. He lost his leg in the recent Storm of Souls story. Indeed, Dominic’s gift is his brains, not his power. He knows how to use his abilities; the current Barthis storyline is an example of Dominic using his abilities to their best to deal with a foe that is outside his ability to stop ordinarily. Force of arms (or force of magic) won’t avail him here. Instead, he is playing chess against an opponent who doesn’t even realize who’s behind the moves being made against him. (When that realization dawns, I’m interested in seeing what the reaction will be.)

As far as stories go, I’ve no real advice to give. I don’t know what direction he’s taking for his stories; it’s obvious Michael has several ideas to work from. He’s also avoided the normal pitfalls that comes with epic storytelling, first by keeping Dominic fairly low-powered (at least compared to his foes). Indeed, even “mundane” humans such as the thieves Bumper and Stunt have gotten the better of Dominic in the past (though it’s rare).

It’s more than likely that Dominic Deegan will continue along a fairly unpredictable path. I’m unsure if Dominic will start wandering again or if he and Luna will settle down to teach at his mother’s school, but in either case I’m sure Michael will find some truly inventive adventures for fans to enjoy.

Robert A. Howard

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You can never truly return home…

(From Fantasy Realms. Click on image to see full-sized image.)

I’ve said it before and I’ll say it again. I have a problem with the subscription archive model for web comics. For instance, let’s take Modern Tales; I only subscribed to it because two of the comics I loved (which were Keenspace titles) had gone over to MT, and I subscribed to support them. If it wasn’t for Rogues of Clwyd-Rhan and No Stereotypes (the latter of which has since left MT to form a new site, Tangents Reviews, and has been joined by Gun Street Girl, which had been on Graphic Smash (another subscription model comic).

If it wasn’t for RoCR and NS, I’d never have started reading Narbonic. Or if I had, I’d have never have read its archives (well, until it won that award and all the archives were free for a bit, but you know what I mean). Similarly, Eversummer Eve (which I’ve reviewed in the past) had already been one of my regular comics when it moved over to Wirepop. I’d probably not have started reading it if I had to pay for the archives. (I will admit, however, to being tempted to purchase a one-month membership just to read the rest of the comics there and review the rest of the strips in Wirepop.)

One of the strips that fascinated me was a beautifully drawn and colored comic called Fantasy Realms, which in the free chapter had a bunch of what were basically kids fighting against a villain who looked like he could have stepped out of Record of Lodoss War (or at least the original anime OVA series). Imagine my surprise and delight when it just recently joined a growing number of strips that left its subscription-model home and went independent.

Fantasy Realms seems to be the story of a young priestess named Shiva, who ran away from the convent to find her own way in life. The story itself seems to be a flashback, seen from Shiva’s eyes as she lies dying from events at the end of the first chapter. And we’ve only seen the first three and a half chapters (of which Chapter 1 is the dark glimpse at what will happen to our young heroes, and the next couple show the events that lead these youngsters to meet up and start down the path to the prologue).


As such, even though we’ve only had 41 pages of story (12 of which again are in the first chapter, with everyone together and facing down their antagonist), we’ve already had glimpses of character with each of them. Rico is a young warrior whose mentor has died in an ambush while Shiva was in the convent. Shiva herself ran away from the convent because of the corruption and hypocrisy in the religious world (or so she says… I wonder how much of it was because her father, who saw her as an illegitimate child (I’m not sure if he hadn’t married her mother, or if her mother had had an affair; I could see the second option as being why he would so hate a child, though from the sounds of it her father was not a nice chap so perhaps he just hated her on general principles). Lila is the biggest mystery, a purple-skinned and haired faerie that follows Rico around. And then there’s Ledin, a young boy with a frog on his head (why am I reminded of something out of Phil Foglio’s art?) and a tendency to steal anything not nailed down, as well as his protector, the priestess Calais (Calais indeed seems to see herself as a mother-figure to these youngsters; at least she’s Ledin’s constant protector, as well as an obvious friend and confidant.

In fact, the only character we’ve not seen introduced is the young green-haired lass who seems to be the “mage” of the group. (Hmm… this almost sounds like your typical fictional D&D group; we have a warrior in Rico, a thief in Ledin, a mage in the young lass that the villain named Eloise, and a priestess with Shiva.) And no doubt we’ll have that young lady showing up in a couple of chapters.

Fantasy Realms managed to catch my attention with its first chapter. If I had more money, I very well might have subscribed to Wirepop to see what else happens in the comic. Most people wouldn’t, however. And while web cartoonists may dream of being able to make a living drawing their strips, most realize that is just a dream. What they truly want is to have lots of fans enjoying their work.

Going indie has opened up that path for Niko Geyer’s comic.

Robert A. Howard

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I shudder to think of what Wonder Bread is made of…

(From EvaComics. Click on image to see it full-sized. Addendum Note: Last I checked, the comic has vanished from the web; the links will probably not work. Sorry, gang.)

One of the more renowned anime series out there is Neon Genesis Evangalion. It’s a fantastic series that takes place at the end of the world, after a natural disaster melts the Antarctic icecap, flooding much of the world (and turning the continent of Antarctica into a series of islands). It’s not known until partway through the series that a literal Angel came to Earth and for some reason exploded. And the series goes through a series of fights of giant bio-mechanical robots vs. giant monster angel with each new Angel being tougher than the last.

Unfortunately, the ending of the series petered out. Fans were rather upset by the lackluster ending, and a new ending was put forth in which pretty much everyone dies. And by everyone, I’m not talking your favorite characters. I’m talking the Rapture. Everyone on Earth melts into a pink goo and their souls rise up and all that stuff.

There are two survivors; two of the pilots of the Evas (the giant bio-mechanical robots). (Never mind the fact that one of the two was killed earlier, she’s back, alive, and bandaged up. Oh, and no explanation as to how she got bandaged up.)

That’s where the comic begins. The two pilots on the beach, with a huge severed giant head of the final Angel out in the ocean (big enough so that it’s only half-submerged), scattered destroyed Evas to be seen, and him sobbing away and finally her telling him to get off of her. Now.


EvaComics takes a lighthearted poke at the ending that the movie left people in, and continuing from there. Instead of people returning to life, there’s only Shinji and Asuka, and they don’t like each other that much. No one else imagined themselves back into existence. What’s more, I think that whatever got all of humanity went and got any animal (and possibly fish) life forms as well. Fortunately, there’s still plants, and vending machines, and even bathrooms.

Unfortunately, while EvaComics started up strong, it faltered and was hit by hiatus after 14 strips. (I’d been introduced to it by a friend back in 2004.) I waited and waited and waited… and finally was rewarded for my patience with this strip.

Okay, I can take a joke. It was amusing enough. And hey, people need their privacy when in the bathroom. But it was another half a year or more before our latest update. To be honest, I was starting to wonder why I still had the link in my bookmarks page.

Still, Thursday’s update was cute. Now, I’m not sure if Asuka is pulling Shinji’s leg or not… or where Asuka would have gotten the meat. Obviously it’s for comedic effect. Still, EvaComics is a needed release after the annoyance of the original NGE anime and the cliffhanger/armageddon ending that we’d been left with.

Besides, someone had to let fans know that the comic finally updated.

Robert A. Howard

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