Kevin and Kell

January 19th, 2009 by Tangent

While Kevin and Kell might not be the oldest webcomic out there, it is definitely among the oldest constantly-updating webcomics on the internet. Indeed, by my reckoning it is over 4,600 updates (and will likely go over 5,000 updates before the end of 2009), and is likely the largest webcomics out there. As such, I’m left looking at a vast expanse of material and wondering just how the hell I can talk about this comic in fewer than ten pages.

K&K is an anthropomorphic slice-of-life comic with a mixed-race couple and their children. And that’s literal in this case, with the husband being Kevin, a huge rabbit, and his wife Kell, a wolf, and the children including Lindesfarne, an adopted hedgehog, Rudy, a half-wolf/half-fox, and Coney, a rabbit/wolf hybrid that looks like a bunny but is primarily carnivorous. Needless to say, such concepts as genetic incompatibility and the inability of various species to breed are tossed out the window to make way for humor and storytelling.

While many anthropomorphic comics often tell entirely human stories with characters that are drawn as animals, K&K embraces its animal roots, focusing on such concepts as hunting (with the prey as sentient as the predators, down to the level of fleas and the like), communication and relations between animals, and other instinctual behavior. At the same time, it pokes fun at corporate life (especially with the carnivore corporation Herdthinners, which specializes in hunting prey and selling the meat to grocery stores and other contractors), home life, politics, and society in general.

One less-than-amusing aspect of the comic is its depiction of humans as a constantly wasteful and environmentally-callous species, both in the depiction of them in Rudy’s short-lived webcomic-within-a-webcomic, and later in actual depictions of humans in the comic. Indeed, the mere knowledge of humanity is so “dangerous” that animals reading Rudy’s webcomic begin to lose their instincts, and the presence of two humans who were transformed into animals threatened to undo instincts across the globe, even among those who had no contact with humanity or anything to do with them. In short, humans = bad, animals = good. It would be tiresome if not for the fact we seldom get slapped in the face with it.

That said, I found those sections to be the least interesting of the series. Instead what I was drawn to were the character interactions and their relationships with each other. The loving relationship between Kevin and Kell even in the face of social disdain and familial disapproval is one of the great draws of the comic. The varied friendships that form and evolve in the comic are among the best parts of the comic and should be focused on far more than the social messages that Bill Holbrook drives home with a sledgehammer (with humans = evil being the least of the examples of sledgehammer morality used in the comic).

With an archive that inches closer and closer to 5,000 updates with each passing day (by my estimates, Update 5,000 should occur on November 21, 2009), you might wonder if it’s worth reading the entire archive. To be honest, K&K doesn’t rely on plot seeds planted years back. However, it’s this back material that helps enrich the characters and lets you watch them grow and evolve into the beings they are. Whether you spend several days (or weeks) reading through the archives or purchase the print compilations and read them at your leisure, the archives are worth going through… and the comic definitely worth adding to your reading list.

3 Responses

  1. Ineluki

    Ugh. I did try reading this once, as I normally like big archives. However, after the first year, I was so bored out of my mind that I had to drop it. It’s just so… syndicated! Too black&white, so very unoriginal and predictable… maybe it was once original, 14 years back, but in comparison to the Sluggy archives (just as one example), I found these to be … next to mind-numbing.
    That said, I gotta ask: does that change later on?
    I once read a crossover with GPF (http://www.kevinandkell.com/2004/kk0126.html), but can’t remember details.
    I think it’s for these reasons that I also can’t stand Calvin&Hobbs. Damn syndication…

  2. Tangent

    Well, that’s probably not surprising. Bill Holbrook is a syndicated cartoonist who draws three strips, one of which is in 50 newspapers, while K&K is in at least one newspaper in Atlanta. It doesn’t bug me quite as badly because there are a few syndicated strips I actually enjoy (like Arlo and Janis or 9 Chickweed Lane, and of course Peanuts).

    The only thing I can suggest is reading the comic backwards. You’re able to catch on about a lot of the details even from a later period in time, and you can decide if it’s interesting enough to keep reading. Either that, or start around 2000 and see if the storytelling style has improved.

    Mind you, I understand what you mean. It took me over a week to read through the archives, partly because I let other things distract me while I was archive-trawling. That said, I think that later in the series with the expansion of the cast (especially with the grandmothers moving in), things get more interesting.

    And it also depends on what you find interesting. I’m big on character development and character interaction, which is something the comic gradually does. While there are a couple sweeping story arcs, they often focused on the “humans contaminating a perfect world” note, and I found that aspect less appealing (amusing as normally I love storylines).

    Rob H.

  3. Tangent

    On a tangential note, I’d originally intended on adding a note about the interesting morality found in Kevin and Kell but got sidetracked and forgot to mention it. Basically, I find it interesting that while herbivores are the majority in this world and run the government, there are laws against the killing of carnivores by herbivores and no real laws against carnivores killing and eating other animals.

    I could envision a future story in K&K that takes a look at Prohibition, only K&K style, maybe using their grandparents and glimpsing the mayhem that happened when the government tried to regulate out the existence of predator hunting. I must admit, the thought of Kell (or her grandmother who naturally will be a dead-ringer for Kell) shown as a flapper amuses me to no end. Whether Kevin (or his grandfather) would be a cop (which would be even more amusing considering the fact Kevin’s dad is a career criminal) or a crook would be up to someone with more imagination than I.

    But then, I admit I’m easily amused. ^^

    Rob H.

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