Monthly Archives: March 2011

Something Positive

My initial reaction to reading the latest update to surreal slice-of-life webcomic Something Positive was to check the date and make sure that we weren’t in the middle of December, getting ready for Randy Milholland’s end-of-year break. Because let’s be honest – normally Milholland pulls something like this right at the end of the year such as when he had Davan show up to comfort PeeJee in the hospital when she had chicken pox, or the year after when she got into bed with him to just lie next to him while he slept – at which point I stated the two would never get together, in case anyone forgot. Given that I think Davan is about to pop the question to his girlfriend Vanessa, spurred on by her wanting to buy sex toys just to mentally screw with a fundamentalist uncle… well, I think I just heard thousands of shippers whimper as their secret hopes Davan and PeeJee would end up shacking up just ran into an iceberg.

As an aside, I do want to comment that I wish Milholland would create a small buffer and start updating regularly. While I was quickly going through the archives to see when (and if) PeeJee had teased Davan about Vanessa’s ring size (I vaguely remember the incident but couldn’t find the strip in question), I came across this rather frightening comic revealing that the kawaii catgirl contagion spreads through the cat-ear headbands. Given that this girl led a fangirl rebellion and may have eaten Pepito’s arm (or at the very least ripped it off his body, possibly while he was still alive), I can understand the horror she’s feeling looking back at that time. And I wish I’d seen it at the time. I’d have written it up then.

This is a problem with irregularly-updating comics. Not everyone utilizes an RSS feed or follows the comic on Facebook. Some just have it bookmarked and can miss an update if it comes during a weekend or at an odd hour. Thus with Davan seemingly about to ask Vanessa to marry him, I have to wonder what else might slip past unnoticed. The follow-up to “Kawaii of the Damned” was easy to miss, as it was a one-shot (though I must admit I’d love to see this character again in the future, especially if she comes across Davan or Jason and freaks when she recognizes them), but just because something is contiguous doesn’t mean it can’t be missed. Considering Something Positive hasn’t updated multiple times a day for years, perhaps it’s time for it to return to a more regular schedule.

Head Trip

As is likely apparent from my reviewing habits, I tend to prefer webcomics that have storylines over their more chaotic and freeform comedic brethren. Part of this has to do with the content that modern humor tends to focuses on: the humiliation and pain of others. And while I’ll laugh at the humor, I’m a bit too empathetic to enjoy it for long. Thus when I initially stumbled across the eclectic dark humor comic Head Trip, I have to admit I didn’t get past the first couple dozen page. It wasn’t until a friend posted a link on Facebook of the latest comic (pointing out a rather disturbing yet amusing bit parodying the Inu Yasha anime/manga series) that I gave the comic another try… and by backing my way through the comic managed to get around some of the early comics that just didn’t manage to hook me.

If I were to hazard a guess, I’d suspect cartoonist Amanda “Shinga” Bussell created HT as a means of letting off steam. There are multiple comics in which Malory, her cartoon self, is depicted hurting other people – mind you, these individuals are shown to deserve their pain and anguish so you’re not really going to feel sympathy for these victims. This isn’t to say Malory is some shining saint, mind you; the very first comic included her saying something quite inflammatory, resulting in one of the comic’s devils showing up with a hand-basket while insisting Malory has to get into it. (She doesn’t. It does become a running gag, however.)

But in between the cartoon violence (mostly left off-screen or barely glimpsed) and the inappropriate comments, we also get a glimpse at the person Malory (and very likely Shinga herself) actually is. The relationship between Malory and her sisters Kat and Lilian (and to a lesser extent her parents) is one of the aspects of the comic I felt worked quite well and enjoyed immensely. Malory and Kat specifically were fleshed out nicely and their interactions flowed naturally, and while Lilian hasn’t had as much screen time as her older sisters, what we’ve seen to date has potential. Unfortunately, we’ve not seen much of the sisters (or of Malory’s parents) in more recent updates, which is a shame seeing how well Shinga depicts her fictionalized family.

Another aspect of HT that I enjoy is the “Emokid and Chemokid” serial superhero parody comics that have periodically appeared in the comic since soon after its inception. Part of my enjoyment of these segments is naturally due to the episodic nature of the short stories; I’m a sucker for a well-crafted story, and while early EaC stories focused more on parodying the superhero genre (and poking fun at the emo culture), once EoC established a foundation to build upon, its story became quite interesting (with my favorite part being when Emokid decides he’s not going to be emo any longer and admits to enjoying a “Lady Gaga”). Perhaps part of the reason these short parody comics work so well is due to the ludicrousness of a hero running around in a hospital gown while smacking people with an IV pole while his friend spouts bad poetry and cries at the drop of a hat. The main reason it works, though, is that Shinga has put as much work into crafting these characters’ personalities that she did with Malory, Kat and Lilian.

This leaves us, of course, with the one-shot humor. Shinga doesn’t pull her punches and will say some rather inappropriate things; oddly enough, she manages to get away with this, and I’m not quite sure how. Perhaps part of it is the anger that is also apparent in a number of the comics; subconsciously I might be accepting her use of humor as a coping mechanism. Of course, another reason lies with some of the targets she chooses, such as the Twilight books and the Heroes television series (though you have to admit, the thought of Claire being a cutter and being denied her self-inflicted pain due to a regenerative ability is rather amusing). The fact the humor is intermingled with comics on Malory and her family and the superhero parody comic also helps lessen the impact of the comics; I’m not being flooded by panel after panel of inappropriate humor until I hate myself for laughing.

That’s not to say there aren’t any flaws in the comic. The early artwork is a bit rough, and Shinga has a tendency to use and abuse copy-and-paste artwork. This is especially annoying seeing that this time-saving measure hasn’t stopped the comic from being intermittent at best (with several short hiatuses having apparently cropped up). Given that Shinga is on Keenspot, the navigation system is linear which would work well for a storyline comic, but reveals its limitations with an eclectic comic such as Head Trip; this comic would shine using ComicPress and a tag system that would allow readers to focus specifically on those archive sections they’re interested in. But outside of a few nitpicks (and a warning to those people who get offended easily of frequent potentially-offensive content), I have to recommend this comic, both to fans of comedic comics and those who enjoy character development and loose-format storylines.

Finder’s Keeper

Over a dozen years ago I started researching the New Age pagan belief systems for a character in a novel I was writing; among the varied books I purchased, there were a couple that dissected the divination meanings of the Tarot deck. While I can’t readily identify the majority of the cards without glancing through one of my books on the topic, I was rather amused to see a Celtic Cross spread, which is the most common card layout used in divinations. What’s more, I could identify enough of the cards to get the general gist of the divination (which, for those with knowledge of the Tarot or even a general idea of literary tropes, is a bit of foreshadowing for the comic). I must tip my metaphorical hat to cartoonist Garth Cameron Graham for doing his own research here in creating the Tarot layout. The majority of readers may not grasp what the cards represent, but for those who do this was a fun little extra that adds depth to the story.

The Flying Cloud

When I came across advertisements for The Flying Cloud, I was a bit unsure of what to make of the illustrated serial story. To be honest, I’m not exactly a fan of most fanfiction (which TFC most definitely is not, I should add), due to inconsistencies in characterization and the like. I also tend to prefer reading fiction in print (or more recently on my Nook e-reader). Oh, there have been exceptions, such as back a decade ago with the older Homeworld fiction, but I tend for the most part to avoid reading online prose stories unless I’m familiar with the author.

Fortunately, I made an exception with TFC and was soon swept into an alternative history where U.S. President Woodrow Wilson managed in 1916 to negotiate an Armistice that restored the pre-War borders to Europe. In doing so, the military-driven development of aeroplanes was torpedoed, allowing dirigibles and airships to reign supreme in the skies. The serial story follows the exploits of British Captain Everett and the crew of the R-505 “Flying Cloud” in service to King George V (though when the story begins, they’re onboard the remains of the R-212 “Flying Lady” after they run across a mysterious unmarked airship that ambushes them).

The story follows the traditions of serial fiction, with each chapter maintaining a cohesive continuity with its brethren. For the most part the story is told sequentially, though when the cast of characters split up chronology sometimes can get fragmented as each subplot is fleshed out. There are also multiple homages and shout-outs, from multiple nods to H.P. Lovecraft’s Cthulhu mythos to a ship captain named Howard Phillips whose home port is in New England, to Star Trek of all things. Undoubtedly there are other historical shout-outs provided as well; unfortunately, my knowledge of the early 20th century is perhaps a bit lacking so I’m not quite sure when we’re seeing homages sneak in.

As for the overarching plot, some aspects of it are obvious at times such as the apparent development of atomic weaponry by a Russian scientist who is being pursued by German Nationalists – amusingly enough, it’s strongly suggested that the “discovery” is due in part to archaeological discoveries rather than by a team of scientists (this being related to elements of the Lovecraftian mythos that appear frequently in the story). While this may seem anachronistic given the time period, it works quite well with Captain Everett and crew trying to piece together what’s going on while being puzzled over interest in a mineral used to color glass.

It’s the cast of characters that make The Flying Cloud so enjoyable to read. The cast is varied, including the original members of the R-212 (with Captain Everett being your traditional “unflappable captain” who is still flexible enough to accept such things as female crew members and non-English personnel), as well as Sarah, an island girl who meets up with them (and who eventually falls for Iverson, a young executive officer who is being mentored by the Captain) and Pierre, a Frenchman criminal whose skills prove quite useful as the R-505 investigates the multiple conspiracies in the region around Australia. One bit I found especially amusing is the rather whimsical betting between the Scotsman Abercrombie and the Irishman MacKiernan over nearly any situation, especially when their lives (and that of the ship and crew) are on the line.

If there’s a problem with the web-serial, it’s that the story is addictive. Before you know it, you may find you spent five hours reading part of the archive. Given that it is a prose story (with the start of each chapter including an illustration with a humorous mouse-over caption), I must admit to some surprise that author Paul Gazis never bothered to create an e-book download so people could download it and read the story at their leisure. Needless to say, I recommend this web-serial, especially if they’re fans of alternative history fiction.

Exiern

One rule of thumb often bandied about to new writers is the concept of “show, don’t tell” in storytelling. While it primarily deals with prose literature (and the use of language that allows readers to participate in the story rather than simple narration), there are times in graphic storytelling where the concept also holds true, such as with information dumps. The most recent update of fantasy cheesecake webcomic Exiern is a case in point and while comic author Drowemos tried to living things up with a hyperactive maid blathering on about various things, we’re still left with a wall of text that is difficult to wade through and ends up obfuscating the very information he was trying to impart (such as the body of a young girl who ended up on the wrong end of a shapeshifter’s claws vanishing despite the injuries she suffered).

Now admittedly, the young blonde was a fun and vivacious character, and the thought of fantasy characters indulging in triple-strength cocoa/espresso caffeinated beverages and the reciting Goth poetry when the caffeine rush crashes is fairly amusing. But there were other ways this information could have been imparted without a wall of text and a scene that does nothing to continue the primary plotlines of the comic. One method would have been to impart the information more gradually, by using the chatty maids as background characters talking while they work, while the main cast continues to go about their business in the foreground. Not only would this allow for the plot to continue, but the use of living backgrounds helps create a sense of life to the world rather than a stage from which the protagonists act out their parts before a virtual audience.

Which of course brings us back to the concept of “show, don’t tell.” While on the surface this might suggest showing each scene, Drowemos is correct when he mentions this approach risks being boring (and also bogging down the storyline with minutia). But by showing the maids gossiping in the background while the main characters continue their plot, the background information could be revealed in bits and pieces instead of with one huge and confusing wall of text. Likewise, other characters could have been used to impart the information, such as guards talking about the conflict between the Rus (the shapeshifters) and wizards, or even the search for the young boy who has the evil wizard Faden’s hand grafted to his wrist. As the saying goes, sometimes less is more. By dividing up the information dump into easily digested portions distributed in the background of several comics, Drowemos could have given secondary characters more screen time while creating a story world that breathes and lives, instead of a performance on a mostly empty stage.

Narbonic

When the mad science webcomic Narbonic ended a couple years ago, cartoonist Shaenon K. Garrity decided to rerun her classic series while providing commentary on the various comics. While the comments can be fairly terse at times and don’t always provide anything new, every so often Garrity comes upon a scene where considerable thought went into the crafting of that specific comic. Today’s comic is one such incident, with Garrity explaining several movie posters that are only half seen and almost unidentifiable but had a special meaning in that they were posters of sequels… much like Helen. Backgrounds aside, I personally feel it’s the fourth panel that is the best part of the comic, with the look of remorse on Helen’s face as she admits to Artie that she wasn’t invited to the mad science symposium as a scientist… but as her mother’s experiment in the genetics behind mad science. Garrity’s work has retained all of its potency and humor, and remains well worth rereading. Getting her thoughts on what went into crafting her old comic is just icing on the cake.

Footloose

I have to admit I’ve been impressed with the latest chapter in the contemporary fantasy webcomic Footloose. Of the multitude of fantasy comics I’ve read, I can only recall one other that has had the primary protagonist turn into the story’s villain (though given Footloose’s back story, it’s obvious in hindsight that Keti would follow in her mother’s footsteps into insanity). But the last couple of comics have been truly amusing, with the obligatory sacrificial techie character Jimmy opening his big mouth to suggest “neutralising” Keti (though he didn’t mean actually killing Keti – or so he claims after the outcry).

The background of the latest comic, with Jin glaring at a petrified Jimmy (who once more has inserted his foot into his mouth in front of the girl he really wants to impress) (not that he stands a chance given Steve’s apparent interest in Jin) while Sylphia chases after a moth… well, given such a large and varied cast, the use of living backgrounds is one of the few ways Emily Brady and Ally Nuttall can ensure camera time for the cast. And while it might not be near the complexity of one of Phil Foglio’s backgrounds, it helped continue elements of the last update while returning focus to the main storyline.