Monthly Archives: August 2012

Schlock Mercenary

If I’ve mentioned this once, I’ve said it a hundred times, but it bears repeating: pacing is everything in webcomics. When webcartoonists aren’t careful they can end up with a lot of wasted time and effort in their stories. This is especially true for comics without a set ending in mind such as Howard Tayler’s long-running science fiction webcomic Schlock Mercenary, and the current subplot about Lieutenant Para Ventura, whose role as an U.N.S. Internal Affairs Intelligence Corps officer (or to be succinct, a spy) has finally been revealed in the comic.

While Tayler is often good at keeping his stories concise, I must admit I’ve found the “banter” between Para and Thurl to be tedious at best. In the time she spent insulting Thurl, she easily could have told Kevyn everything she needed to and thus continued the story. These last few comics have felt more like padding, with Tayler stretching out the story through Para’s insults rather than letting the comic flow more naturally. I can’t even say that it was Tayler remaining in character for Para, seeing that while she can be arrogant at times, I can’t really recall her being deliberately offensive. Well, not recently at least.

It can be tremendously hard to edit down writing. Often writers can fall in love with scenes, no matter how unnecessary, or with dialogue they feel is cute. But by cutting scenes down, writers can ensure their story continues to flow smoothly while retaining the reader’s attention. Likewise, Tayler has shown a willingness to use over-sized updates on days other than Sunday. Rather than pad these updates, he should have edited it down and presented the inevitable twist earlier. It would have saved him time and effort, and would help keep his readers enthralled with the storyline.

Gunnerkrigg Court

An advantage that comics possess over prose literature is the cinematic aspects talented artists can bring to the page; indeed, a talented cartoonist can impart motion and menace to the page. Tom Siddell has managed to capture these elements in the last couple of updates for his contemporary fantasy webcomic Gunnerkrigg Court as Antimony has fled from a maddened Ysengrin. I couldn’t help but compare some pages to the animated film “Princess Mononoke” (specifically, the scenes at the start with the demonic spirit that attacks the protagonist).

But it was the middle and second-to-last panel in today’s comic that especially hit home; Siddell did a superb job with shading with Ysengrin glaring out from the brush at Antimony, while there was a genuine sense of ominous motion as Ysengrin climbed down the embankment. Extra care was given for those panels (especially when you consider the rest of the panels, with Antimony having minimal shading, outside of highlights in her hair, to those other panels). Even as Ysengrin crawls down the embankment toward her, there is full lighting effect with him… but not Antimony.

I can’t help but wonder if Siddell had a specific artistic purpose for the differences between Antimony and the environment around her. While Antimony has grown to love the Wood (and even appears to have a boyfriend among its residents), she’s an outsider and not one of them. Though when you think of it, there is a certain bit of irony in depicting Antimony artistically as a fairly flat, unshaded cartoon amidst the textured world of the Wood around her, seeing that she is the comic’s protagonist. But this could be Siddell’s method of subtly depicting that Antimony is not really of the world of the Court or the Wood; instead, she is Other, much as she was when the comic first began.

Addendum note: Considering that even Eglamore is shaded but Antimony remains mostly flat colors with no shading? I’m probably onto something here.

The Devil’s Panties

One thing I enjoy about Jennie Breeden’s semi-autobiographical webcomic The Devil’s Panties is how she’s not afraid to share the bad as well as the good… while finding a way to find humor in that moment (even if after the fact). Her latest storyline where she came home to find her home robbed yet again with both of her air conditioning units stolen while she and her husband were away is a perfect example of this, especially with Jennie contemplating how she could protect her home. Personally, I suspect a company that developed a line of home-defense units that looked (and sounded) like the turrets in the computer game Portal would be a big hit. The only problem is I could see a homeowner coming back and finding that their Portal Turrets had been stolen! Sadly, with the economy stuttering along some people are forced to do whatever they can to survive. What they don’t realize (or want to think about) is how it affects their victims; Jennie has given us a glimpse of just that, while leavening it with a touch of humor. That she can laugh (even ruefully) at this situation shows us just how strong she is… and is one of the reasons why I enjoy her comic so much.

Misfile

A little over eight months ago I called for Chris Hazelton to stop spinning the wheels of his transformation webcomic Misfile and finally start moving forward with the relationship between the comic’s two protagonists, Emily and Ash. Well, actually I just called for Hazelton to start moving the comic forward, seeing that we’ve had a lot of nothing going on for several years now, but seeing that the angelic subplot is proceeding at the rate of the heat death of the universe, we don’t have much else but Emily and Ash’s relationship left to kick things into high gear. On the surface, it might seem Emily kissing Ash would be just the catalyst the comic was looking for.

Unfortunately, I’m not sure it’s so simple. We’ve already seen Ash’s reaction to assertive women (what with her freaking out over Missi trying to be the dom to Ash’s sub – and yes, in some ways I get the feeling Ash is submissive when not behind the wheel of an automobile, though it’s more likely she hesitates when in territory that’s unfamiliar to her); while Ash has strong feelings for Emily, I can’t help but think that she’s going to freak once more and things will return to the glacial pacing with two steps back for every step forward. Still, I suppose there are a couple of things different between Ash’s relationship with Missi… and what she has with Emily.

For one thing, there is a greater level of intimacy between Ash and Emily than existed with Missi. Emily knows Ash’s deepest secret (that she’s actually a guy trapped in that body), and has been with him for every step of the way. In addition, she just admitted she wanted to kiss Emily, and was afraid to. Which makes for an interesting question: how would male Ash handle a relationship with an Emily that was two years older? Would he freak out at Emily’s assertiveness just now? Would he have freaked over Missi, despite the fact there are some strong hints of “preordained” mixed with that relationship? It’s not something we’re likely to ever see, but it’s interesting to think about.

Ultimately, when Misfile eventually draws to a close, we’re going to have one of two options occur. The more likely (in my mind) is that Ash finally accepts she’s going to be a girl for the rest of her life and reluctantly accepts this fate so long as she’s got Emily with her. If you consider Ash to be a per-surgery female-to-male transsexual (and some people do view her from this perspective) then it makes some sense. Given that there are some aspects of her life that are better due to Ash having been born a girl (such as her closer relationship with her mother, among other things), and it seems likely this will be the eventual outcome of the comic.

The alternative actually has some interesting story potential to it, with Ash becoming a guy once more. As a girl, Ash has been struggling to reconcile what her male memories of history were, compared to what actually happened (and interestingly enough, Hazelton didn’t resort to the old standby of a diary or journal). How different would Ash’s life have been as a man? At the very least, things would have gone differently with “Kamikaze Kate” and it’s doubtful Ash would have had a closer relationship with his mother. And is being a male once more worth the price if he doesn’t have Emily in his life?

Of course, this is a moot point due to the glacial pacing of the comic. There is a multitude of plot points at this point that even if Hazelton picked up the pace, it would still take years for everything to come to a close (assuming he didn’t come up with additional threads to branch out from). And I will admit, there are times I only read Misfile because it’s on my bookmarks list. Other people I know have quit reading because the comic is going nowhere and has been stuck there for a while now. I only hope that Hazelton does the unexpected (for me at least) and uses Emily kissing Ash as the catalyst to shift the comic out of neutral and finally start moving forward again.

Candi

It’s easy to write sympathetic protagonists in a story. What’s not so easy is to create an interesting and realistic antagonist you sympathize with. This last storyline in the college webcomic Candi with Linda and Alex and her realization that she’d better stop screwing around and be faithful to him? That helped redeem her, if only a little bit. Mind you, Linda has a lot to make up for (seeing that several years back (though only one semester due to the vagaries of webcomic-time) she broke Alex and Candi up and in the process fell for him and started dating him herself) and she was cheating on him… but at least she realizes it and isn’t proud of it. Before this story, I was rooting for Alex to see Linda for who and what she is and dump her on the curb. But now? It might be interesting to watch Linda try to reform herself. And it doesn’t matter if her relationship with Alex lasts; no, what I’m interested in seeing is for Linda to start down the road of redemption… if only for her own peace of mind.

Girls With Slingshots

For a while now I’ve been fairly ambivalent about Danielle Corsetto’s slice-of-life webcomic Girls with Slingshots. While I enjoy Corsetto’s storytelling talents, I found myself increasingly annoyed with the comic’s primary protagonist Hazel, who was in a self-destructive tailspin of alcoholism and a refusal to face her problems, including the fact her boyfriend wanted a more permanent relationship while she wanted things to remain as they were. Zach left, she went on a drinking binge, and her best friend Jamie ended up staging an intervention to dry Hazel out. But despite this, I couldn’t help but feel that Hazel hadn’t hit rock bottom (due partly to Hazel’s own insistence that she just needed something to drink, even water, rather than admit she was an alcoholic).

And then Corsetto pulled this strip out, which made me sit back and consider something. Much like Hazel, I was running under the assumption that she screwed up (though she used harsher language). But this is actually a fallacious argument, as her gay friend Darren points out. Just because “everyone else” is talking about how she should settle down, get married, and the like doesn’t mean this is something she should do. Instead, she should do what makes her happy. Now admittedly, Darren isn’t the most politic of people and his comments will likely make some people cringe. But that doesn’t stop him from being right. People need to be who and what they feel they are, not what other people want them to be.

The most important thing for Hazel is to live her life as she sees fit. While I feel she needs to admit to her alcoholism (which would help her start to grow as a character once more), she was right not to pursue a long-term relationship with Zach. If she had, ultimately it would have fallen apart because it’s not what she wants in her life. Not now. And Zach did the right thing in moving on as well. Not all relationships last. But you accept each one for what it is. Likewise, Hazel is her own character, and while I might not particularly enjoy her, her mistakes are her own, and help to round her out as a person. This might not be the path I’d like to see Hazel take, but this is Corsetto’s story to tell. Sometimes, critics just need to shut the hell up and watch things unfold.

Aptitude Test

Undoubtedly most of us have suffered through high school aptitude tests at some point of our lives. While they’re meant to provide teenagers with an idea of what their skills and abilities are good for so they can plan their future, in truth aptitude tests tend to be a waste of both time and money. Fortunately, cartoonist Andrew Power found a use for them in his school webcomic Aptitude Test, which is set in a world where superheroes are real… and Julie, one of the comic’s two protagonists, discovers she’s best suited to become a superhero. And no, she’s not thrilled at the idea, or at the thought of putting her life on the line seeing she has no powers and is deathly afraid of confrontations.

It’s a fascinating concept to build a comic from, and it provides Power with the opportunity to simultaneously develop a superheroic universe while also focusing on the mundanities of high school life. Okay, the comic mostly focuses on Julie and her best friend Rina (who was likewise displeased at her aptitude test suggesting she enter the wild and interesting career of office clerks – fortunately, a supervillain attack does help living things up for Rina (and Julie) so she’s not completely bored stiff) and the mundanities of being high school students, but I must admit the growing side-story concerning Momentum (the superhero who mentored Julie for a day to see if the superheroic life was for her) has been fun to read.

For all that I enjoy Julie and Rina’s story, I must admit I’m more interested in the evolving subplot concerning Canada’s growing superhero community (which came close to including Julie herself in their ranks) and what’s behind people gaining these powers. Momentum (or Kat in her civilian identity) is fairly certain her accident was anything but, and with the help of an unpowered hero (who I suspect is actually Julie’s dad) is investigating a corporation with ties behind the empowering of both heroes and villains. And while Julie herself has expressed no interest in becoming a superhero, she keeps finding herself drawn into the superhero subplot.

Still, I suppose what I enjoyed most about AT is watching Julie and Rina grow. Julie is gradually starting to overcome her fear of confrontations and has developed ties with Momentum, which hasn’t set well with Rina (who took an initial dislike for Momentum after she caught the eye of the cute office clerk Rina was trying to flirt with), though I’m not exactly sure as to why she continues to dislike the hero. Rina herself is a huge flirt (which Julie has some issues with, especially when she flirts with guys that Julie dislikes) and oddly enough starts the comic as Julie’s protector, though at the end it’s Julie herself who saves her friend’s life at risk of her own.

And of course there’s your more typical high school angst (such as Julie asking out the cute nice guy she’d been crushing on for ages, or the current storyline with a school presidential election) to amuse those readers who are into more mundane stories. This is AT’s greatest strength and weakness; it tends to jump around at times, which can become confusing as the cast of characters starts to grow. Despite this issue with complexity, Aptitude Test is an enjoyable comic with a large enough archive for the characters to shine, while still remaining small enough that it’s not overwhelming. As such, I highly recommend this comic.