Tag Archives: Character flaws

Weregeek

I must admit I’m probably in the minority of Alina Pete’s Weregeeks readership who actually likes Mark’s girlfriend, Jessica. While I understand many readers feel Sarah is a better fit for Mark insomuch that she shares interests with him, in many ways I’m old-fashioned and feel that if a relationship has grown to the point that a couple are close, maybe even considering marriage (I could have sworn they were engaged, but my memory’s never been the best) then they should do their best to work through their differences. It is these differences that can make relationships interesting when you get down to it.

Thus I’ve watched the current fight between Jessica and Mark with tremendous trepidation. I’m not exactly fond of emotionally-charged situations like this (I always have that little voice in the back of my head blaming me for what’s happening, no doubt because as a writer I have caused my share of pain for my own characters). But what’s worse is that I felt this entire situation could have been avoided with a little bit of honesty and taking time to communicate. At least, I felt that up until today’s strip, when Jessica promptly fell off the sympathy wagon and got mud all over her outfit.

First, I should state for the record that Jessica was wrong to snoop in Mark’s e-mail. It wasn’t even so much that she opened the browser page to find the e-mail from Sarah as part of the Vampire Live Action Role Playing game they’re in which led her to thinking her boyfriend was cheating on her. But it was the final panel of todays’ strip that fully stripped any sympathy I felt for Jessica away, especially because it’s true! We’re talking about a guy who helped her out with her church, despite not being a member from what I can tell. He respected her interests and her beliefs. And yet she falls right into the trap he accidently set by making fun of his hobbies… right after claiming she didn’t.

One of the things I believe (and no doubt it’s foolish to think this) is that a healthy relationship isn’t comprised of attraction, but instead of loyalty, communication, and respect. Yes, Mark and Jessica are attracted to one another. Mark’s a decent man, and from what we’ve seen of Jessica, she’s usually a nice person. But she doesn’t respect him. She snubs his hobbies and ridicules him for it; it may not be the level of disdain that some people in the Weregeeks world hold for geeks, but she doesn’t make an effort to understand his interests and doesn’t understand why her interests aren’t good enough for him.

Honestly? At this point I can’t help but think this relationship is going to fall apart. Nor do I think Mark will end up with Sarah, seeing that she made an effort to befriend Jessica and does share interests with Jessica. Indeed, I could even see Sarah working to patch things up between Mark and Jessica, rather than pursue him for herself. I mean, that’s just not done. But given the greater world of Weregeeks and some of the truly insane elements within it (including a group of people who murder or brainwash geeks and get away with it), I doubt very much this will be the last we see of Jessica. The only question is what role she’ll play in the future.

Unsounded

While recent updates over at OotS have tempted me to comment once again on the comic (a testament to Rich Burlew’s storytelling skills), ultimately it was Ashley Cope’s epic fantasy webcomic Unsounded that drew my attention and demanded I follow up on my previous review of the comic. As I had mentioned previously, while the child thief Sette plays the part of the primary protagonist, it is her undead wizardly companion Duane who I find especially interesting, and whose past is starting to unfold in the most recent storyline. Along the way, Cope has managed to increase my sympathy for Sette and also reveal some disturbing aspects to the inner demons Duane struggles with.

One of these is the fact Duane is, in essence, a ghoul (in essence, a monster that consumes human flesh)… and would restrain himself every night to ensure he couldn’t act on those urges when his will was weakest. Unfortunately, during the last chapter a thug sent to capture Sette entered the room where Duane was being kept… and let’s just say I would not want to be the cleaners who have to clean up the room. When Sette tried to “wake” Duane by revealing the light of day to him, she ended up falling through his shadow and into the “khert” or magic of the world… which seems comprised of the memories and dreams of all of the world.

It has been a wild and mad ride that would have Alice wondering who spiked her tea with LSD. I’m also not entirely sure how Cope will adapt this over to a print version, seeing that she indulges in segments that break outside the traditional full-page format the comic normally takes. The world of the khert is insanity manifested and I must applaud Cope as I have no idea how she imagined such bizarre aspects as floating babies held to the ground by umbilical cords (and who thank Sette as she cuts them free), giant multi-limbed hairless dog-beings that seem oddly endearing, or the multitude of insane forms that float through this realm.

But it is the latest bit that has me truly impressed as Sette falls into one of Duane’s memories… back when he was alive and married to a woman named Leysa, with a family… and his conflict as he tells his wife he was selected to become a Spell Composer as part of a plan by the temple he works at to spy on the nobility. These glimpses help fill out the humanity in the monster, and help flesh out the tragedy of what he has become. No doubt in time we’ll learn just what it was that led him to be transformed into the form he’s become. Along the way, I suspect Sette may grow as well. And while I don’t know if I’ll ever truly like her, her character is intriguing enough to rise above that. To craft a character that is both unsympathetic and yet a joy to read is a sign of true storytelling skill.

General Protection Fault

Perhaps one of the most common calls of armchair critics is that a character is a “Mary Sue” (which to me is a very overused term, especially when you consider the original “Mary Sue” was a parody character poking fun at the character type as a whole). But while the term has lost any real value due to its overuse and abuse, there is a core aspect to “Suedom” inherent in a number of characters… because those characters can be seen as an aspect of the author (or at the very least a character mouthpiece). It’s easy for readers to believe a character’s prejudices and beliefs actually reflect those of the author, especially when a character is developed further than a shadow with minimal definition or personality. Thus unfortunately authors sometimes attempt to sanitize their characters to prevent any controversies.

The sad thing is, it can take very little to create such perceptions. One such example can be found in the recent Global Protection Fault comics, with Fooker and Patty talking about Tim (another of the tertiary characters)… and his reaction when she implies to Fooker that Tim might be gay and seems to be attracted to Fooker. Okay, I’ll admit that if I was trying to put computer memory into a server and was told that a coworker was gay and into me, I might break the memory as well. But mostly it’s Fooker’s facial expression and how he worked things that hints to me that while Fooker might say he doesn’t care what people do privately, he personally doesn’t approve of homosexuality. And while I suspect cartoonist Jeffrey T. Darlington may not intend to imply this, I think it would be an interesting path to take with Fooker.

Let’s be honest here; while there is growing acceptance of homosexuality and the LGBT movement, prejudice is an ingrained trait for people. We can overcome it, but deep down there is still that tiny germ waiting to sprout at the most unexpected moment. Thus I feel it would be interesting (and valuable) to see this potentiality with Fooker expanded upon. Let him have a personal aversion to homosexuality… and show his efforts to keep this from influencing how he reacts to Tim or to other homosexual men if Tim is in fact straight – I’m afraid I don’t recall one way or another, though if Tim is gay, then Darlington has done fairly well at subtly introducing this element, laying the groundwork until Patty launched a salvo to disconcert Fooker.

Of course, this could just be Patty trying to disconcert Fooker, who’d been needling her about her own semi-relationship with Dexter. And let’s be honest here; Fooker was out of place to press her about things with Dexter. But if it were just Patty “getting even” with Fooker, it was in rather poor taste. What’s more, I’d be interested in seeing this element expanded upon. Things such as hidden prejudices tend to be ignored by cartoonists due to the ease of internet drama and reader misconceptions. While Fooker has never been a “perfect” character, his relationship with Sharon is stable now, his distrust of Trudy is understandable, and his other “flaws” tend to be lackluster or laughable. And to be honest, it’s Nick that is the author’s mouthpiece, so any flaws Fooker show can be brushed off as storytelling elements.

Girls With Slingshots

For a while now I’ve been fairly ambivalent about Danielle Corsetto’s slice-of-life webcomic Girls with Slingshots. While I enjoy Corsetto’s storytelling talents, I found myself increasingly annoyed with the comic’s primary protagonist Hazel, who was in a self-destructive tailspin of alcoholism and a refusal to face her problems, including the fact her boyfriend wanted a more permanent relationship while she wanted things to remain as they were. Zach left, she went on a drinking binge, and her best friend Jamie ended up staging an intervention to dry Hazel out. But despite this, I couldn’t help but feel that Hazel hadn’t hit rock bottom (due partly to Hazel’s own insistence that she just needed something to drink, even water, rather than admit she was an alcoholic).

And then Corsetto pulled this strip out, which made me sit back and consider something. Much like Hazel, I was running under the assumption that she screwed up (though she used harsher language). But this is actually a fallacious argument, as her gay friend Darren points out. Just because “everyone else” is talking about how she should settle down, get married, and the like doesn’t mean this is something she should do. Instead, she should do what makes her happy. Now admittedly, Darren isn’t the most politic of people and his comments will likely make some people cringe. But that doesn’t stop him from being right. People need to be who and what they feel they are, not what other people want them to be.

The most important thing for Hazel is to live her life as she sees fit. While I feel she needs to admit to her alcoholism (which would help her start to grow as a character once more), she was right not to pursue a long-term relationship with Zach. If she had, ultimately it would have fallen apart because it’s not what she wants in her life. Not now. And Zach did the right thing in moving on as well. Not all relationships last. But you accept each one for what it is. Likewise, Hazel is her own character, and while I might not particularly enjoy her, her mistakes are her own, and help to round her out as a person. This might not be the path I’d like to see Hazel take, but this is Corsetto’s story to tell. Sometimes, critics just need to shut the hell up and watch things unfold.

Something Positive

When Randy Milholland started the whole “costumed hero” shtick with Mike in his cynical slice-of-life webcomic Something Positive, I was expecting the worse. When you consider that Mike is one of Milholland’s favorite chewtoys (and likely still is), having him dress up in a brightly-coloured costume and run around Boston trying to do “good deeds” seemed destined to blow up in his face. But then Milholland took a fascinating turn with the “costumed hero” route; rather than have Mike turn into some wannabe Batman fighting crime, he had Mike going around and try to help people; in essence, Mike was dressing up in costume to be a good Samaritan.

Oddly enough, this does make some twisted amount of sense. Given the general distrust people have for one another, having a complete stranger (and one with a beak that would give Severus Snape a run for his money) offer to help would inevitably be seen the wrong way. Add in the fact Mike is not exactly the nicest of people (and has a sad tendency to self-destruct from time to time), and you had a recipe for trouble, no matter what Mike’s motives. But by putting on the costume, Mike’s “mindset” is shifted away from his usual sardonic tendencies; he wears a mask to mask the fact he’s a dick and is honest about the fact he’s not the nicest of people outside the costume.

Things can (and likely will) still go wrong with all this, though I must admit I’m amused by the fact some uppity politician is going to try and “get even” with Mike over his own mess caused when the politician tried to take advantage of Mike’s (or Pythagorean, rather) growing popularity. It would be absolutely hilarious if in trying to get back at Mike, the politician ended up facing down Mike on the political arena. It would be even more humorous if Mike were elected in that ass’s place, elevated because he’s been working hard to help other people (the very thing politicians are supposed to do). Over the years we’ve seen a number of characters in S*P “grow up;” it is about time for Mike to do the same.

The Wotch

The saying goes that you never know how much you love someone until they are gone. While this is perhaps a bit clichéd (as that seems more related to unrealized love than for lovers and the like), there are signs that this may be the case for Anne Onymous, the heroine in the contemporary fantasy webcomic The Wotch. Fortunately in Anne’s case, the chap in question (Robin, who she has long considered her best friend) actually survived despite having been run through with a sword, but I suspect this will only prove to be the catalyst that will let Anne slowly realize that her feelings for her best friend may in fact be stronger than friendship… and that she may have come to this realization after chance had passed her by.

Naturally, Anne’s epiphany isn’t so cut-and-dry as to realize she loves Robin when she saw him bleeding to death on the ground even as her own power was turning against her and turning her into a statue. While the shock did result in her losing control of her talents (and allow chaos to run amuck, if I might indulge), I’m not sure she’s realized just what this feeling is. Of course, there is a bit of logic to this; while The Wotch has been running for ten years now (even allowing for several hiatuses), Anne is maybe 16 years old at most (the defunct cast page pegged her at 15, but I freely admit I’m not sure how much time has elapsed since she first met Robin and Jason back at the comic’s start), and has only been on one date that I’m aware of. She might not comprehend what she’s feeling.

To be honest, it would be easy to just ignore the little hints that author Omynous has teased readers with, if it wasn’t for the comic’s resident snarker, Jason, observing Anne’s reaction to Robin’s compliment concerning her hair (which, as a side effect of an amuck chaos, has grown by a foot or so since the comic’s start, though I do wonder if Onymous is poking fun at herself at how long it took for this storyline to finish; her own hair may have grown a foot in this time. Real life happens, though, and The Wotch isn’t the first (or last) comic to succumb to hiatus… or drag itself back to life); she’d been all set to have her hair cut short until Robin said it looked nice. And then? She’s perfectly happy with it.

Despite my enjoyment of Robin’s relationship with his girlfriend Cassie, I have to admit I’m tickled by this twist. I’m not about to go back to wanting Robin and Anne to hook up. Personally I think Robin has more chemistry with Cassie… and her own feelings for him are quite intense (to the point that she managed to use her magic to help rescue Robin and save the multiverse, though only the readers are aware of this). But love is an important part of growing up. Unrequited love, while painful and sad, is part of this process. Anne won’t be the first person to wake up one day and realize she’s in love with her best friend. She won’t be the last person to realize she can’t act on her feelings… and indeed, might need to keep this secret close to her chest.

This is also a chance to see Robin’s own quality of character as a result. It’s inevitable he will learn about Anne’s feelings; his best friend just heard Anne’s quiet little “bye” and then change her mind on her hair based on a passing comment. What’s more, he knows that Robin was carrying a torch for Anne. Undoubtedly he’ll let it slip, be it on accident or because he thinks the two of them would be happier together. But in many ways Robin’s moved on. He honestly does care for Cassie. His world doesn’t revolve around Anne any longer, which is healthy for both of them.

Finally, having Anne fall in love with Robin will help her grow. More importantly, it’ll allow Anne to become a little bit more human. While I’ve long enjoyed The Wotch for its story and its cast, Anne herself has long been outside of this (despite my preference for gingers), in part because I don’t particularly like her. But what truly draws people to a protagonist is that character’s flaws and foibles. Watching Anne struggle with her emotions and slowly come to terms with both how she feels and her powerlessness to act… well, I’ve walked this path. I can sympathize. And maybe I can grow to like her once more.

Unsounded

Here’s an odd question to consider: what qualities are inherent in effective protagonists? This isn’t normally something you’d consider when reading a story, but I must admit I’ve been struggling to consider what it is that makes Ashley Hope’s young female thief Sette to be the protagonist for her fantasy webcomic Unsounded. This isn’t to say that there’s any confusion concerning the comic’s protagonist; of the two main characters, Sette is obviously the catalyst that drives the comic; while I may find her companion Duane to be far more sympathetic (and interesting), he’s obviously following Sette’s lead even as he complains about her lies and thievery.

The problem is, I’ve found Sette (a preteen girl possessing a lengthy tail and a mouthful of very sharp teeth) to be a remarkably unsympathetic character. This is despite the fact we’ve seen her freak out several times in the comic; nearly everything that goes wrong for Sette is a result of her overconfidence and arrogance. That she prevails against the odds only goes to show that for all that she’s egotistical; Sette has the skills to back up her brashness and an almost-sociopathic tendency to use people. Oddly, she matches her far-more-humble traveling companion in skill; Duane has shown considerable magical skill, but unlike Sette he has a reluctance to use his powers to unfair advantage. This is especially amusing when you consider Duane is undead.

You heard me right. One of the main characters, and a character who is quite sympathetic and cares for those around him, is in essence a magic-using zombie. What’s more, his existence is a constant struggle against his inner hunger which includes the need to devour blood and flesh (a fact which rightfully freaks out Sette when he finally admits this to her in a moment of anguish and self-loathing). And yet he’s the character who I found to be more sympathetic and in many ways a more interesting and effective protagonist than the young girl who the comic focuses on (though part of this lies with the fact he’s been successful in fighting his personal demons).

This isn’t to say that Sette is completely unsympathetic. Over the course of five chapters, readers have been given glimpses of Sette’s home-life as the daughter of the head of the Frummagen criminal family, a man who insists even his daughter has to pay a weekly tithe in order to remain in his good graces. She’s a thief and a scoundrel, but she was raised to be such. This also explains partly why Duane continues to follow Sette, despite her lies and deception; on at least one occasion he’s mentioned a desire to reform her, or at the very least temper her more larcenous tendencies. And while he’s constantly railed against their path toward the nation-state of Cresce (which was at war with his homeland of Alderode), I can’t help but suspect he knows fully well where Sette is headed.

The story itself focuses on Sette’s mission to find her cousin Stockyard, who’s stopped sending his weekly share to Sette’s father. Along the way, she’s encountered gargantuan tree-beasts, slavers who hollow out their captives to smuggle some material (and who are paid per body… and thus to increase profits are using children as their “containers” as they hold less than adults would), and soldiers who (due to bad timing) seem to think she and Duane are said slavers. Along the way, readers have also been given glimpses of other stories, including a pair of sympathetic antagonists working for the slavers (the elder of which despises child slavery and has insisted the child slaves be given over to him).

Despicable protagonist aside, I rather enjoyed Unsounded; unlike some webcomics I’ve reviewed, the story starts out with a decent pace and keeps up said pace along the way. I also enjoyed the banter and interactions between Sette and Duane, and it’s clear that Duane cares for the girl; her own feelings are harder to discern, but I can’t help but hope she considers Duane to be more than just a victim for her sharp tongue and a dupe for her schemes. Add in artwork that can be quite breathtaking at times, and the result is a comic I definitely have to recommend, even if I can barely stand its primary protagonist, and find a zombie, of all characters, to be the better person.