Tag Archives: Parody comic

League of Super Redundant Heroes

I first started reading comic books in the early 90s, nearly a decade before my descent into the world of webcomics. As with many people, my gateway comics were the varied Marvel titles, though I did branch out into DC and then the independent titles along the way. But finally, a lack of money and the declining quality of the stories put out by DC and Marvel left me uninterested in the superhero genre. Given the relative lack of the genre on the Internet, I suspect I’m not the only one to feel this way; I do know that the Internet has given rise to a wide variety of genres… with superhero comics in the distinct minority despite their continued dominance of the American print comic world.

To be honest, the parody comic League of Super Redundant Heroes reminds me more of the multiplayer superhero game City of Heroes (and its varied brethren) than of the print comics. Part of this lies with the general premise: we’re not following the great heroes of the land who regularly fight forces that threaten reality, nor are these the secondary heroes who help fill in while the Big Bad Heroes fight the good fight. No, these are the Z-rated heroes. The losers, who are only heroes because they’ve got powers and thus feel an obligation to wear the costume and fight the good fight… even though they’re honestly not needed.

Needless to say, LoSRH isn’t a grand epic tale in which the heroes are striving to overcome great odds. Instead, the heroes are mundane and fairly pathetic. For the most part the comic focuses on the “redundant” heroes, including Lazer Pony, who has the ability to fire lasers from behind his eyes. Mind you, his eyes are not immune to his lasers, so the first time he used his power he went blind. Oh, and he’s also such an idiot that Forrest Gump looks like a genius in comparison. His compatriots (and flatmates) include Good Girl, whose backstory is she was a good girl who was mistakenly exorcised by a priest… and thus became too good. At least, until her halo comes off. And there’s Gyrognome, their landlord, and Buckaress, whose only abilities are the Most Common Super Power and being the group’s straight woman.

If LoSHR has a flaw, it’s that it has suffered character-creep. The comic periodically gives us glimpses at some of the other heroes (such as A-lister Asstronomicus, whose chin has so deep a cleft he should wear underpants on his face), or Flying Fox-Man (whose secret cave apparently is located underneath Lazer Pony’s rental home)… or for that matter the Z-rate villains who Lazer Pony has befriended. In addition, the female heroes tend to be someone two-dimensional (ironic, seeing they all possess the MCSP); admittedly, with Mary Sue (Lazer Pony’s girlfriend who only flaws are clumsiness and the inability to remain in a long-term relationship) this may be more a design feature than flaw.

The comic tends to switch between gag-a-day strips and short storylines that don’t seem to have any significant impact. The primary cast is unable to do anything effective, while the secondary cast has grown so great that there’s insufficient plot to go around. That said, the comic seems to enjoy poking fun at the superhero genre as a whole. Fortunately, the superhero genre has more than enough material that if all the comic did was ridicule the genre, it could update daily for years without repeating itself. And for that alone it’s worth reading.

Weapon Brown: Blockhead’s War

It’s said that all good stories must come to an end. The thing is, endings can be a difficult thing to write; authors risk upsetting readers if the ending ends up being substandard, or if there’s too many dangling plot points (even if these loose ends make for good fodder for a sequel). Thus when I view the ending for the post-apocalyptic parody comic Weapon Brown: Blockhead’s War, I must admit to feeling conflicted as to the ending, which has left an entire subplot hanging while our protagonist drives off into the sunrise.

While I wish I could ignore the entire Syndicate plotline, this is the one real shadow looming over the strip. We’ve had no resolution with them (which admittedly would make for fine sequel territory, assuming that Jason Yungbluth plans on writing one) or fallout for the Pointy-Haired Executive who launched the attack on Anne’s crew in order to snag their resources and self-replicating food substance. Given that we’ve seen bits of the story from the Syndicate’s point of view, it seems odd not to have even a brief glimpse of how they take their latest setback.

That said, the ending does work despite the lack of resolution with the Syndicate. And to be honest, several elements of the ending cry out for a continuation of the story. For instance, we have Chuck’s new sidekick, Jeffy, who considers Chuck to be his ride in his quest to avenge the deaths of his entire family at the hands of Syndicate soldiers; if WBBW was truly ending, then why replace Snoop with some embittered kid with a grudge? Next, we have Chuck’s own musings about how the Syndicate tried to kill a certain red-haired girl. (Anne? Or is this the girl he originally was seeking at the start of the storyline?)

Given the lack of resolution with the Syndicate, Chuck’s thoughts on how he could ever forget them seems… ironic, to say the least. But watching Chuck drive off… not into the sunset, but into the sunrise while contemplating how Anne and her followers are bringing the world back to life and bringing things worth fighting for, worth protecting… this bit works. As an end to the Weapon Brown story, it’s lacking. But as the end of the middle of a trilogy with the Millennium Falcon flying off into the distance to search for Han Solo, well that could work.

The Adventures of Superhero Girl

Perhaps the biggest problem webcomics face is what is also their greatest strength: the fact they’re free. While this makes it easy for new readers to join in spending only their time, it fails to provide webcartoonist with much in the way of revenue (and no, advertising revenue for web-based media isn’t that good). Thus webcomics often tend to be hobbies for their creators, perhaps able to pay for art supplies and hosting fees while the cartoonist works a day job… which can cut into how frequently webcomics update.

This was the case with Faith Erin Hicks, who had to put her delightful superhero parody comic The Adventures of Superhero Girl on hiatus while working on a graphic novel. She planned on building up a buffer and expand ASG’s venue to include more storylines, but as with the best laid plans of mice and men these plans fell apart in the face of extra paying work. And while she’s started updating once more, the updates will be on an intermittent basis while she finishes up on more pay work. Nor am I sure about how the intermittent schedule will affect her plans to start more storylines in the comic; often one-shot strips (which I suspect today’s comic is) work better when regular updates remain wishful thinking.

The thing is, for all that I enjoy storylines (and Hicks may wish to expand the scope of ASG to include more of them), ASG works as a series of one-shot stories. Admittedly, today’s update could be expanded if we learned the heatwave Superhero Girl is fighting in is in fact part of some villain’s weather machine or even if she believed it was such (and wouldn’t it be amusing if a supervillain was creating a weather machine to try and end the heatwave and usher in cooler weather rather than for some nefarious purpose?). But it works just as well on its own… and is an enjoyable emergence of a favorite comic of mine from summer hiatus.

Darths and Droids

It’s long been said that names have power. While the whole mysticism concerning names has little bearing in today’s world of reason, the perception of names can still be powerful. This is especially true in the case of the photo-comic Darths and Droids, seeing that it’s based off of the Star Wars setting. I will admit when I first heard Jim was playing a character named Greedo, I had visions of poor Jim getting gunned down by the GM’s NPC, and then allowed to take control of said character. What I didn’t expect was for the Webcomic Irregulars (the team behind the comic) to actually rename Han Solo’s character; I’m fairly certain the Irregulars anticipated this when choosing the name. Oddly enough, this has invested me further into Jim’s character; I was all set to feel sorry for his hard work in creating a character background only to loose the character soon after he started playing it. It’s also nice to see that Greedo isn’t just a cheap carbon copy of the original Han Solo, though given the nature of parody in general this was likely to be expected.

Evil Inc.

I have to admit I rather enjoyed the last couple of updates of Brad J. Guigar’s superhero parody comic Evil Inc., though I have to admit to finding the general premise for the storyline (with Lightning Lass being impersonated by an angry hero who is going around committing good deeds in her name to clean up her reputation) to be perhaps a bit over the top. Of course, when you get down to it, the villains in Evil Inc. aren’t especially evil in the grand scheme of things. Undoubtedly this is what makes Lightning Lass’s encounter with a young girl who wants to be Lightning Girl 2.0 (complete with her own castle) so adorable. And I suppose when you get down to it, the girl’s opinion of Lightning Lass is spot on: she’s a woman who doesn’t let people tell her she can’t do stuff. To me, that’s a message more women should try to live up to.

Weapon Brown: Blockhead’s War

Warning: this comic contains graphic depictions of violence, sexual situations, and nightmarish shapeshifting goo. Viewer discretion is advised.

While I’m not a big fan of the horror genre (due to a hyperactive imagination), I am familiar with some of the traditions that crop up in horror stories from time to time, such as the unexpected return of the story’s monster after the hero relaxes, the job done. Thus I was not exactly surprised to see the return of Cyber Augmented Legionnaire version 1N (aka CALv1N) in Jason Yungbluth’s parody post-armageddon webcomic Weapon Brown. However, I will admit I wasn’t really sure what point CALv1N’s return served. After all, Brown had thoroughly kicked his augmented behind and left him broken and abandoned… in a vat of shapeshifting fluid that would form itself to the desires (and nightmares) of those around it. It made sense… but I wasn’t sure what purpose was served by it.

Today’s update has revealed that purpose, and in doing so it also ensured that WB remains true to the fundamental essence of the character Weapon Brown is parodying: Charlie Brown. That essence, naturally enough, is that of the loser who ultimately doesn’t get the girl, won’t score the winning run, and never truly succeeds in the things that matter most to him. Ironically, this happens despite the fact he once more defeats CALv1N… this time preying on CALv1N’s psychological weaknesses (and in doing so turning the shapeshifting goop that allowed CALv1N’s return into the very weapon to finally kill him), due to the death of his associate Hughie.

Naturally, no one bothered to tell Brown where the refugees were headed, leaving Brown alone but for his dog Snoop. This would almost seem the perfect place to stop the series with Brown alone, the blind red-haired girl Anne lost to the wilds, and the Syndicate hot on his heels. Ultimately this gives Yungbluth a new plot to drive the story forward, with Brown’s search for Anne and his gradual annihilation of the Syndicate taking the place of the twisted funhouse reflection CALv1N presented. Besides, for all the differences between Charles Schultz’s Charlie Brown and Yungbluth’s Weapon Brown, both possess a resilience that would put most to shame. And this, perhaps, is why Weapon Brown is so enjoyable to read.

Atomic Laundromat

As any of my older readers can attest, one of my pet peeves is when a story refuses to advance a potential romantic situation out of fear of what many call “Moonlighting Syndrome,” where readers lose interest when the romantic tension between two characters ends when the characters finally get together. When you consider how tense relationships can be in the best of circumstances, Moonlighting Syndrome seems due more to poor writing than to a loss of romantic tension, especially as that tension can be switched to that of actually having a relationship. (Though as the saying goes, you write what you know. Which says something about Hollywood writers.)

So I have to applaud Armando Valenzuela for actually daring to let his primary protagonist in Atomic Laundromat have his chance without backing out. Mind you, he did toy with his readers by having Angela appear initially to reject David’s declaration of affections… and it would have made sense for her to do so (what with her attraction to superheroes and deep-seated need to be one herself). In fact, I almost think that it wasn’t until the fourth panel of today’s comic until she actually decided to take that leap of faith.

As I said above, just because a couple has started dating doesn’t mean that the tension between them will end. Given David’s opinions about superheroes and his thoughts as to why Angela wants to be one, and her own strong opinions on many topics, things aren’t going to go smoothly. I’d almost be willing to bet either David or Angela will end up empowered at some point, just to intensify the tension between them. But it’s better to see them take that chance, even with all that could go wrong. It’s more interesting this way. What’s more, it’s good storytelling.