Tag Archives: Superhero comics

League of Super Redundant Heroes

I first started reading comic books in the early 90s, nearly a decade before my descent into the world of webcomics. As with many people, my gateway comics were the varied Marvel titles, though I did branch out into DC and then the independent titles along the way. But finally, a lack of money and the declining quality of the stories put out by DC and Marvel left me uninterested in the superhero genre. Given the relative lack of the genre on the Internet, I suspect I’m not the only one to feel this way; I do know that the Internet has given rise to a wide variety of genres… with superhero comics in the distinct minority despite their continued dominance of the American print comic world.

To be honest, the parody comic League of Super Redundant Heroes reminds me more of the multiplayer superhero game City of Heroes (and its varied brethren) than of the print comics. Part of this lies with the general premise: we’re not following the great heroes of the land who regularly fight forces that threaten reality, nor are these the secondary heroes who help fill in while the Big Bad Heroes fight the good fight. No, these are the Z-rated heroes. The losers, who are only heroes because they’ve got powers and thus feel an obligation to wear the costume and fight the good fight… even though they’re honestly not needed.

Needless to say, LoSRH isn’t a grand epic tale in which the heroes are striving to overcome great odds. Instead, the heroes are mundane and fairly pathetic. For the most part the comic focuses on the “redundant” heroes, including Lazer Pony, who has the ability to fire lasers from behind his eyes. Mind you, his eyes are not immune to his lasers, so the first time he used his power he went blind. Oh, and he’s also such an idiot that Forrest Gump looks like a genius in comparison. His compatriots (and flatmates) include Good Girl, whose backstory is she was a good girl who was mistakenly exorcised by a priest… and thus became too good. At least, until her halo comes off. And there’s Gyrognome, their landlord, and Buckaress, whose only abilities are the Most Common Super Power and being the group’s straight woman.

If LoSHR has a flaw, it’s that it has suffered character-creep. The comic periodically gives us glimpses at some of the other heroes (such as A-lister Asstronomicus, whose chin has so deep a cleft he should wear underpants on his face), or Flying Fox-Man (whose secret cave apparently is located underneath Lazer Pony’s rental home)… or for that matter the Z-rate villains who Lazer Pony has befriended. In addition, the female heroes tend to be someone two-dimensional (ironic, seeing they all possess the MCSP); admittedly, with Mary Sue (Lazer Pony’s girlfriend who only flaws are clumsiness and the inability to remain in a long-term relationship) this may be more a design feature than flaw.

The comic tends to switch between gag-a-day strips and short storylines that don’t seem to have any significant impact. The primary cast is unable to do anything effective, while the secondary cast has grown so great that there’s insufficient plot to go around. That said, the comic seems to enjoy poking fun at the superhero genre as a whole. Fortunately, the superhero genre has more than enough material that if all the comic did was ridicule the genre, it could update daily for years without repeating itself. And for that alone it’s worth reading.

Aptitude Test

Undoubtedly most of us have suffered through high school aptitude tests at some point of our lives. While they’re meant to provide teenagers with an idea of what their skills and abilities are good for so they can plan their future, in truth aptitude tests tend to be a waste of both time and money. Fortunately, cartoonist Andrew Power found a use for them in his school webcomic Aptitude Test, which is set in a world where superheroes are real… and Julie, one of the comic’s two protagonists, discovers she’s best suited to become a superhero. And no, she’s not thrilled at the idea, or at the thought of putting her life on the line seeing she has no powers and is deathly afraid of confrontations.

It’s a fascinating concept to build a comic from, and it provides Power with the opportunity to simultaneously develop a superheroic universe while also focusing on the mundanities of high school life. Okay, the comic mostly focuses on Julie and her best friend Rina (who was likewise displeased at her aptitude test suggesting she enter the wild and interesting career of office clerks – fortunately, a supervillain attack does help living things up for Rina (and Julie) so she’s not completely bored stiff) and the mundanities of being high school students, but I must admit the growing side-story concerning Momentum (the superhero who mentored Julie for a day to see if the superheroic life was for her) has been fun to read.

For all that I enjoy Julie and Rina’s story, I must admit I’m more interested in the evolving subplot concerning Canada’s growing superhero community (which came close to including Julie herself in their ranks) and what’s behind people gaining these powers. Momentum (or Kat in her civilian identity) is fairly certain her accident was anything but, and with the help of an unpowered hero (who I suspect is actually Julie’s dad) is investigating a corporation with ties behind the empowering of both heroes and villains. And while Julie herself has expressed no interest in becoming a superhero, she keeps finding herself drawn into the superhero subplot.

Still, I suppose what I enjoyed most about AT is watching Julie and Rina grow. Julie is gradually starting to overcome her fear of confrontations and has developed ties with Momentum, which hasn’t set well with Rina (who took an initial dislike for Momentum after she caught the eye of the cute office clerk Rina was trying to flirt with), though I’m not exactly sure as to why she continues to dislike the hero. Rina herself is a huge flirt (which Julie has some issues with, especially when she flirts with guys that Julie dislikes) and oddly enough starts the comic as Julie’s protector, though at the end it’s Julie herself who saves her friend’s life at risk of her own.

And of course there’s your more typical high school angst (such as Julie asking out the cute nice guy she’d been crushing on for ages, or the current storyline with a school presidential election) to amuse those readers who are into more mundane stories. This is AT’s greatest strength and weakness; it tends to jump around at times, which can become confusing as the cast of characters starts to grow. Despite this issue with complexity, Aptitude Test is an enjoyable comic with a large enough archive for the characters to shine, while still remaining small enough that it’s not overwhelming. As such, I highly recommend this comic.

The Adventures of Superhero Girl

Perhaps the biggest problem webcomics face is what is also their greatest strength: the fact they’re free. While this makes it easy for new readers to join in spending only their time, it fails to provide webcartoonist with much in the way of revenue (and no, advertising revenue for web-based media isn’t that good). Thus webcomics often tend to be hobbies for their creators, perhaps able to pay for art supplies and hosting fees while the cartoonist works a day job… which can cut into how frequently webcomics update.

This was the case with Faith Erin Hicks, who had to put her delightful superhero parody comic The Adventures of Superhero Girl on hiatus while working on a graphic novel. She planned on building up a buffer and expand ASG’s venue to include more storylines, but as with the best laid plans of mice and men these plans fell apart in the face of extra paying work. And while she’s started updating once more, the updates will be on an intermittent basis while she finishes up on more pay work. Nor am I sure about how the intermittent schedule will affect her plans to start more storylines in the comic; often one-shot strips (which I suspect today’s comic is) work better when regular updates remain wishful thinking.

The thing is, for all that I enjoy storylines (and Hicks may wish to expand the scope of ASG to include more of them), ASG works as a series of one-shot stories. Admittedly, today’s update could be expanded if we learned the heatwave Superhero Girl is fighting in is in fact part of some villain’s weather machine or even if she believed it was such (and wouldn’t it be amusing if a supervillain was creating a weather machine to try and end the heatwave and usher in cooler weather rather than for some nefarious purpose?). But it works just as well on its own… and is an enjoyable emergence of a favorite comic of mine from summer hiatus.

Magellan

While I’m not exactly a big fan of superhero comics these days (I blame Marvel and DC for that; back in the ’90s I first got into comics… but with the advent of Image, focus shifted from effective storytelling to pretty art, and I got burned out on them during that time), there are a couple of good superhero webcomics out there. Of them, Magellan is probably my favorite, due in part to two factors that help it stand out from its peers. First, Magellan tends to focus more on character interactions and relations than fighting, which gives readers a better chance to know (and feel for) the characters. Second would be the comic’s setting, in a massive island school for training superheroes.

To be honest, the concept of a superhero school does boggle the mind. I’ve admittedly never played any of the superhero MMORPGs (such as City of Heros or Champions Online), but it does seem odd that there’d be so much crime in the world that you’d need tens of thousands of heroes to deal with it all (assuming of course that the heroes aren’t just killed off in the line of duty), but despite such minor quibbles, it does provide for an interesting setting for disparate characters to interact. What’s more, Stephen Crowley has even created a sense of history with Magellan with older heroes retiring and training their younger brethren.

While the comic is nominally about Kaycee, a young “normal” human who managed to get into Magellan Academy through physical prowness (in essence being a “Batgirl”), many of the other characters get their chance to shine in the sun. One of the more interesting side stories focuses on Gola Beh, who after having many of her memories lost to her (due to a story which prominently featured Kaycee) and being de-aged, reentered Magellan Academy as her “niece” Olga Beh. This has presented cartoonist Stephen Crowley with an interesting means of bringing the older characters more fully into the existing story, while also examining the problems Olga is facing as she tries to cope with her new lease on life… including decades of lost memories and coping with her former teammates while keeping the truth of her identity a secret.

It also presents an interesting take on some of the downsides of the whole “Fountain of Youth” scenario (though Olga’s de-aging was due to an attack, and can’t be replicated). Her friends and comrades are now old people. She’s lost many memories of working with them, and in essence half her life was stolen from her. And she undoubtedly still has enemies out there who’d gleefully try to kill her now that she’s more vulnerable, if they knew who she was. While it might be nice to no longer suffer the aches and pains of old age, she’s going to watch everyone she knows die of old age. Undoubtedly in the back of her head she must also wonder if something could reverse the process as well, resulting in her losing her new lease on life after she’s grown to adjust to it.

The one thing that hasn’t happened yet is for Olga to be more integrated into the school as a whole. While Olga is a year behind Kaycee and her teammates, the friendship she’s starting to form with Brelvis (who never did manage to get run over by a car – no, I never did get over my initial annoyance with him) should provide the necessary catalyst for her introduction to Kayce and her own classmates, and provide Crowley with the opportunity to more fully integrate the varied aspects of his comic.

Evil Inc.

I have to admit I rather enjoyed the last couple of updates of Brad J. Guigar’s superhero parody comic Evil Inc., though I have to admit to finding the general premise for the storyline (with Lightning Lass being impersonated by an angry hero who is going around committing good deeds in her name to clean up her reputation) to be perhaps a bit over the top. Of course, when you get down to it, the villains in Evil Inc. aren’t especially evil in the grand scheme of things. Undoubtedly this is what makes Lightning Lass’s encounter with a young girl who wants to be Lightning Girl 2.0 (complete with her own castle) so adorable. And I suppose when you get down to it, the girl’s opinion of Lightning Lass is spot on: she’s a woman who doesn’t let people tell her she can’t do stuff. To me, that’s a message more women should try to live up to.

Mindmistress

For seven years now, I’ve been writing reviews, though I never quite realized how many comics I’d reviewed until I compiled a list of strips I’d reviewed. Along the way, I’ve had updates sputter almost to a stop, struggled with writer’s block, and revamped how I write reviews several times. In some ways I suppose the sheer art of reviewing has mimicked the webcomics I review. But the one thing I’ve always regretted is when a comic comes to an end, be it a natural end of a storyline, or the abrupt cessation of a comic when a cartoonist decides to walk away. The latter just occurred with Al Schroeder’s superhero comic Mindmistress, which he terminated halfway through a storyline he’d been struggling heavily to write. And yet, I honestly can’t hold it against Schroeder; he’d realized that he’s told all the stories of Mindmistress he needs to… even with the one failed story he’s terminating prematurely. When you get down to it, webcartooning is as much for the cartoonist as for the audience. And after a decade of creating, Schroeder deserves a break. I just hope he doesn’t decide to retire from webcomics for too long, as I’ve grown to enjoy his storytelling.

The Jupiter Palladium

Given the popularity of antiheroes as protagonists, it can be difficult crafting an effective antihero that can still attract readers. Part of this lies with their basic personality – as an antihero, they tend to be… less than pleasant (to understate things). Seeing that people rarely like cynics and their ilk, often some redeeming aspect is needed to help not only explain why an antihero has chosen that path, but also present some aspect of redemption (even if only a minor one). This is certainly the case with Matt Cooper, an information broker in the superhero comic Jupiter Palladium who uses sarcasm to keep people at bay, while simultaneously pointing out their shortcomings and forcing them to take a long hard look at themselves.

Of course, when you consider what it is that information brokers do, it doesn’t come as much of a surprise people don’t think highly of him (and this is even before his own ability to transform into a humanoid bat is revealed). People don’t enjoy having their secrets revealed, and they also tend to dislike being teased. Naturally, Matt revels in teasing and harassing the target of his sarcasm while slowly revealing small tidbits to whet the appetites of those listening to him while the target of his sarcasm has her secrets revealed. To be honest, I’m not quite sure why he held his sarcasm in check when forcing the Jupiter Palladium’s leader, Angel, to admit the truth of her past. But what did prove interesting is his targeting of the telepath Syren and his reasoning behind his harassment.

In essence, Syren is useless. She was unable to do anything effective in the Jupiter Palladium’s recent fight, and despite being a telepath she wasn’t able to reveal the treachery of one of their own despite spending a bit of time with her. While she’s not the only novice among the heroes, Matt seems to think her naivety will end up getting herself killed… unless he can toughen her up or chase her out. What with Matt’s own tendencies as a loner and his words, we end up with a glimpse of someone who is trying to keep Syren from getting herself killed. It’s an interesting glimpse into the mindset of someone who ultimately is more heroic than he likes to let on… but who hates to show any sign of weakness that others could use against him.