Tag Archives: Transformation comics

One Girl Guy Army

Small note: This comic could be considered NSFW as it contains nudity. Reader discretion is advised.

It would be practically impossible to sum up the fantasy webcomic One Girl Guy Army in one sentence, especially as I doubt I could manage it in one paragraph. The comic’s about Scott Tait, a young college student who ends up transported to the continent of Atlantis which floats above the planet… and is then transformed into a girl. She’s helped by Icarus Airheart (son of Amelia Airheart), a young man who likewise is under a curse that turns him into a girl as well (though he actually has some control over the process, unlike Tait), while trying to track down their shared antagonist, Chitara, who’s responsible for Tait’s teleportation and transformation, and forces working through her to return Atlantis to the world below (no doubt to try and take over the world in doing so). While the story could use some tightening in places, one element I actually enjoy is Tait’s concerns she’ll lose her old identity if she cannot find a way to become a guy once more; hopefully the cartoonist will focus more on this theme and perhaps introduce the psychological horror that far too many transformation comics ignores in lieu of quick laughs.

Exiern

One of the things I enjoy about the fantasy transformation webcomic Exiern is its sense of whimsy. I will admit that when Thomas Knapp took over writing duties from Drowemos, I was a bit concerned that this element of whimsy might be misplaced as Knapp shifted the story away from its fanservice roots and closer to classic fantasy storytelling. Fortunately my concerns were misplaced, as the latest update with Tiffany and Princess Peonie shows; interestingly, Knapp used this moment to answer a question that honestly never crossed my mind: why Tiffany is able to ride the unicorn that was summoned at the start of the comic.

I find this amusing as I am quite aware of the mythos behind unicorns and how they only allow virgins to ride them. The thing is, in many ways Tiffany was reborn when Typhan-Knee was afflicted with the curse that transformed him into a woman (which actually brings about an interesting question: would someone transformed into a woman be virginal, seeing that their body is being recreated into a new female form… and the concepts of male and female virginity tend to differ on several levels). The thought that Typhan-Knee had never been with a woman prior to being cursed never really entered into my view of the character. Nor, honestly, did it matter.

What’s interesting is Peonie’s wording as she taunted Tiffany over her apparent lack of “conquests” – the concept that only those of “pure virtue” can ride a unicorn. I must admit that I don’t particularly consider “virginity” to being an aspect of virtue. Instead, I would see a person’s character as integral to that… and for all that Tiffany is from the barbarian tribes to the north of her world, she appears to be fairly honorable in her actions and in keeping her word. And for that matter, back when the dark wizard Faden regained his power, the unicorn abandoned Tiffany when she chose to pursue the wizard rather than save the life of a young boy whose hand Faden stole.

In short, she acted out of vengeance and anger, traits not associated with virtue… and the unicorn spurned her. And this also says something about Peonie’s character. We’ve seen she is weak of will and was subject to Faden’s control even when his power was at its nadir. She also has acted selfishly and without considering others (such as when she had Tiffany tied up so the priests could try and break the curse on her… despite the fact Tiffany distrusts the priesthood). Whether or not she’s virginal (and given that Peonie doesn’t deny the insinuation suggests she is not) ultimately doesn’t matter. What matters is the type of person she is; she is her father’s daughter.

While it would be easy to brush aside this comic as superfluous, it did serve an added purpose beyond answering the unasked question on how Tiffany can ride the unicorn: it provide Knapp with the opportunity to indulge in whimsy before the story starts to darken. In this it’s the artwork that pulls this off, especially with the conniving post of Peonie… and Tiffany’s open-faced innocent smile at Peonie’s shock. It also continues with the conflict between Tiffany and Peonie that flared up after Peonie followed them and once more entered into harm’s path.

Misfile

A little over eight months ago I called for Chris Hazelton to stop spinning the wheels of his transformation webcomic Misfile and finally start moving forward with the relationship between the comic’s two protagonists, Emily and Ash. Well, actually I just called for Hazelton to start moving the comic forward, seeing that we’ve had a lot of nothing going on for several years now, but seeing that the angelic subplot is proceeding at the rate of the heat death of the universe, we don’t have much else but Emily and Ash’s relationship left to kick things into high gear. On the surface, it might seem Emily kissing Ash would be just the catalyst the comic was looking for.

Unfortunately, I’m not sure it’s so simple. We’ve already seen Ash’s reaction to assertive women (what with her freaking out over Missi trying to be the dom to Ash’s sub – and yes, in some ways I get the feeling Ash is submissive when not behind the wheel of an automobile, though it’s more likely she hesitates when in territory that’s unfamiliar to her); while Ash has strong feelings for Emily, I can’t help but think that she’s going to freak once more and things will return to the glacial pacing with two steps back for every step forward. Still, I suppose there are a couple of things different between Ash’s relationship with Missi… and what she has with Emily.

For one thing, there is a greater level of intimacy between Ash and Emily than existed with Missi. Emily knows Ash’s deepest secret (that she’s actually a guy trapped in that body), and has been with him for every step of the way. In addition, she just admitted she wanted to kiss Emily, and was afraid to. Which makes for an interesting question: how would male Ash handle a relationship with an Emily that was two years older? Would he freak out at Emily’s assertiveness just now? Would he have freaked over Missi, despite the fact there are some strong hints of “preordained” mixed with that relationship? It’s not something we’re likely to ever see, but it’s interesting to think about.

Ultimately, when Misfile eventually draws to a close, we’re going to have one of two options occur. The more likely (in my mind) is that Ash finally accepts she’s going to be a girl for the rest of her life and reluctantly accepts this fate so long as she’s got Emily with her. If you consider Ash to be a per-surgery female-to-male transsexual (and some people do view her from this perspective) then it makes some sense. Given that there are some aspects of her life that are better due to Ash having been born a girl (such as her closer relationship with her mother, among other things), and it seems likely this will be the eventual outcome of the comic.

The alternative actually has some interesting story potential to it, with Ash becoming a guy once more. As a girl, Ash has been struggling to reconcile what her male memories of history were, compared to what actually happened (and interestingly enough, Hazelton didn’t resort to the old standby of a diary or journal). How different would Ash’s life have been as a man? At the very least, things would have gone differently with “Kamikaze Kate” and it’s doubtful Ash would have had a closer relationship with his mother. And is being a male once more worth the price if he doesn’t have Emily in his life?

Of course, this is a moot point due to the glacial pacing of the comic. There is a multitude of plot points at this point that even if Hazelton picked up the pace, it would still take years for everything to come to a close (assuming he didn’t come up with additional threads to branch out from). And I will admit, there are times I only read Misfile because it’s on my bookmarks list. Other people I know have quit reading because the comic is going nowhere and has been stuck there for a while now. I only hope that Hazelton does the unexpected (for me at least) and uses Emily kissing Ash as the catalyst to shift the comic out of neutral and finally start moving forward again.

Exiern

When Drowemos first announced he was stepping down from the writing duties for the fantasy gender-bender webcomic Exiern, I was tempted to send in a submission to write for the comic. Ultimately I decided against doing so as I barely have time for my own reviews and writing, and I realized I wouldn’t stay true to the spirit central to the comic. This is perhaps amusing as the new writer, Chemiclord (aka Thomas Knapp), has definitely taken the comic in a direction different from what I suspect Drowemos would have gone; this is not a bad thing, however, and in doing so I believe Chemiclord is helping to relaunch the comic with a renewed purpose and story that will draw in more readers.

Looking back at Drowemos’ tenure as writer (and artist for a bit) of Exiern, I’m left with the impression he was trying hard to satisfy his audience’s desires in the hopes that this would build his readership (and increase the funds coming in so he could afford to update the comic). While in theory this seems like a good idea, it is almost always destined for failure. Stories that pander to fans inevitably fail to satisfy most everyone involved. Ultimately, there needs to be a degree of separation between the fans and the creators. This isn’t to say that creators can just do whatever they want, mind you; if they’re not careful they can easily alienate readers and drive off audiences in the name of artistic integrity. But as the saying goes, too many chefs spoil the broth.

Unfortunately, Chemiclord entered in the middle of an existing storyline which may have blunted his writing initially. Add in Drowemos’ continued role as the comic’s consultant and the end result was a hybrid storytelling that contained a lot of Drowemos’ plots even as Chemiclord expanded upon them. With the conclusion of Ctyx and Mira’s story (for the time being) and King Urtica’s plot to try and marry the barbarian protagonist Tiffany, it feels like Chemiclord is finally coming into his own as the comic’s storyteller. There has been a shift away from needless cheesecake and pointless nudity and toward a richer story which now includes an expansion of Tiffany’s own past as she heads north to confront her brother who tried to get her killed off.

What’s more, Tiffany herself has changed. It’s subtle, and may be related to the previous storyline where Tiffany had to come to terms with being a woman, but I’ve gotten the feeling she’s no longer obsessed with regaining her former gender (a quest that has in turn cursed a growing number of men with gender-transformation syndrome). This is actually a welcome change to me, and if it is Chemiclord’s doing, I applaud him for taking this path. For a while there, Drowemos had hinted at a rather rich and fascinating world in which Exiern was set. Hopefully Chemiclord will expand on these hints and fulfill the promise evident in those early comics.

Murry and Lewy Comics

I’ve often felt that Transformation webcomics (and gender transformation comics in particular) often fail to live up to their potential. Far too often the gender transformation is used as an instrument combining humor with fanservice. Some, such as El Goonish Shive, uses the Transformations as a cheap means of titillating readers and indulging in the cartoonist’s whims. Others, such as The Wotch will inflict gender swaps on characters for giggles (though writer Anne Onymous has included a more serious storyline concerning an unwilling guy-to-girl transformation that touches upon the psychological horror I feel is inherent in the genre). But outside of a few rare exceptions (like the German comic She !s Me!), most Transformation comics squander the opportunities inherent in the genre.

On the surface, this would appear to be the case in Murry and Lewy Comics, which has the titular characters transformed into women after Murry drags his friend into a strip club to cope with his girlfriend dumping him. Naturally, as per the rules of comedic tropes, Lewy is freaked out seriously when he learns he gained a B-cup and lost a manhood, while Murry is completely unphased at the gender swap. To be honest, MaLC reminded of another older comic (that finally ended after the author grew tired of the revolving door of web artists), Abstract Gender, which likewise had a carefree character who didn’t mind being a girl (though he could switch back), and a straight man (or woman) who wanted nothing more than to become male once more.

Thus I was pleasantly surprised when this storyline came up, in which a lady who realized Murry and Lewy had been gender-swapped talked to Lewy privately to let her know that she’s not alone. There’s a number of guys who’ve apparently been gender-swapped in the past… and what’s more, not all of them can cope. Watching the saleswoman talk to Lewy and tell her that she doesn’t want to attend her funeral like she’s done for other transformees… that struck home. This touches upon the horror inherent in the genre, of waking up in a strange body, of being trapped as something you’re not.

Of course, given that MaLC is predominantly a humor comic (with plenty of fanservice by Murry, who enjoys flaunting her new assets), we don’t get to see the level of psychological horror found in She !s Me. But for all the mindless frivolity of Murry, Lewy’s story is the one that drives the comic. She retreats from life at first, losing her job (and not even calling in sick) because who’d believe her? She also freaks when the above-mentioned saleswoman initially comments on Murry being a transformee… but initially didn’t realize Lewy was. And she’s the one seeking a means to get turned back to a guy again, while Murry enjoys her newfound femininity (and doesn’t even bother trying to conceal what happened to those who know him/her).

There is also the question as to why Murry and Lewy were transformed. It seems clear this is deliberate, and that something is targeting men deliberately. But I highly doubt it is anything benevolent, seeing that other men who’d been gender-swapped have killed themselves when they can’t cope (especially as Nagas do not have the best of reputations in mythology). Unfortunately, given the comic updates weekly (and intermittently at that), it’s probably going to be a while before we learn the particulars behind these transformations. Hopefully in the meantime, cartoonists Thomas F. Revor, Jr. and Darin Brown will explore more of the psychological aspects that are so often unutilized in Transformation comics… for both Lewy and Murry.

Sparkling Generation Valkyrie Yuuki

For ten years now, the contemporary transformation comic Sparkling Generation Valkyrie Yuuki has greeted the Christmas season with a holiday comic focusing nominally on Yuuki and his/her sidekick and best friend Chiaki (and of course Blue Angel Jessie, who has a contractual obligation to show up in some form for each holiday comic). During this time we’ve been treated to the abuse of rude otaku, snowball fights, and a variety of other hijinks; this year, cartoonist Kittyhawk decided to try something different by combining the Nordic myths of Gylfaginning and Lokasenna to craft a Winter Solstice story… from Loki’s point of view.

Naturally it’s not just a straight retelling (even with the two stories merged); Yuuki, Chiaki and Thor add in commentary and questions from time to time (including why Loki is depicted as a cat-person – it’s Yuuki’s fault as his/her imagination is providing the visuals); and I must admit that the thought of people throwing things at Baldur because it was the only thing to do for amusement in the pre-Internet era is rather amusing. Interestingly enough, by merging the two stories, there’s an actual reason for Loki being chained to a rock with poison dripped in his eyes (outside of his trolling an Aesir party). The comic was a delightful change from the usual antics, and even linked the side-scrolling of the comic’s infinite canvas technique with Loki reading the story from a scroll, making for an interesting read.

Eerie Cuties

Every so often a comic will pull out a loop that I never saw coming. Today’s Eerie Cuties (Gisèle Lagacé’s surreal humor comic) has done just that by having Ace, the werewolf boy who was turned into a girl a ways back, changed back into a guy when a catboy kissed her (and in doing so, becoming a catgirl). In the decade that I’ve spent reading webcomics I can only remember a couple of comics where the male-to-female transformation was not, in fact, permanent. (Sadly, one of those comics went onto permanent hiatus and vanished from the web right when it was building toward its climax.) Now, seeing that the kiss was contagious… no doubt we’ll see Ace eventually cursed again with being a girl. Still, I must applaud Lagacé and her co-writer Dave Zero 1 for a most unexpected twist… and I hope Ace remains a boy long enough to have to start coping with what he’d been through, and how it had been changing the very essence of what he was.